A Quote by Lucas Hedges

Ultimately, I think what I want from my career is to be able to create work for myself, and there's only so much you can do as an actor in a movie. — © Lucas Hedges
Ultimately, I think what I want from my career is to be able to create work for myself, and there's only so much you can do as an actor in a movie.
Ultimately I want to be able to create whatever I want whenever I want. And if that doesn't work, I don't mind just doing weird plays.
As much as I thought the end of 'Friday Night Lights' was a really great ending, I was one of those people who wanted to make it into a movie. Even though it ultimately didn't work to do that movie, I did work with some of the other writers and by myself writing a script for that.
I have a hard time being career-minded, but I want to be able to survive as an actor and do work that I think is important and that says something.
I don't think I've necessarily been able to pick and choose in my career; I don't know how many people do. But I'll tell you what I've been able to do: I've been able to say no. It is the only thing you can hold on to sometimes, is that ability to say 'no.' And I think that in that way, you can create some kind of career.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
I came from a very different sort of background and pedigree from the people who were on "The Daily Show". I was an actor. I was sort of - the irony is that I've done as much dramatic work in my career as comedic work and I don't really think of myself as a comedian.
But if you want to be a songwriter-based musician, whether you play punk or rock or country or jazz, whatever, you have to work on your songwriting and you have to work on being able to play in front of people, I think. That performance is how you create the groundwork for a lasting career.
I had been getting queries from regional filmmakers to do a movie based on my work. But I did not want my work and mission - to create awareness on menstrual hygiene - to be restricted to only a part of the country. In fact, I wanted to do the movie in Hollywood.
In my career as an actor, there is a catchphrase that Scofield always says often in regards to his brother, 'Have a little faith.' In my own career as an actor, there were times when I was the only one who believed in myself in the face of the odds.
The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'm being given to do.
The way an actor is trained doesn't ultimately have much bearing on my work. I'm interested in the actor as artist.
I admire many actors, though I don't think there's anyone whose career I would want to mirror sort of by the beats. What I'm really looking to do is constantly defy expectations. I'm very curious to see if you can actually have a character actor and a movie star's career combined.
Any decision that's made about my career is ultimately my decision, and it's helped me not to plan too much. I've never been the guy thinking, 'I want to do a play this year, I want to do this kind of movie or this kind of character.' I don't have that sort of control.
There's no one actor in particular that I want to model my career after, except for the people who have been able to keep their career varied and who choose things that interest them. That opportunity is all I really want.
The director is the most important because, ultimately, as an actor, when you watch a movie, it looks like an actor is giving a performance, and they kind of are. But, what's actually happening is that an actor has given a bunch of ingredients over to a director, who then constructs a performance. That's movie-making.
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