A Quote by Lucas Till
I do like moving my legs a lot, like maybe moon walk-y things. I don't have like one move, because I try as much as I can. But I just love imitating impossible things that dancers do.
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To journalists my move from comics to films to best-selling novels was resembling those little evolutionary maps too much, where you see the fish, and then it can walk, and then it's an ape and then it gets up on its hind legs and finally it is a man. I didn't like that. I didn't like the fact that there was something rather amphibious about me - at least in their heads - back when I was writing comics. So I like continuing to write comics, if only because it points out that I haven't just started to walk upright or left the water.
On set, I like to be treated just like a normal adult actor. We all put as much time and effort into our craft as adults, and maybe even more because we have school to do and a lot of things to figure out.
When I was 22, I had this horrible psoriasis outbreak. It was all over my legs, I couldn't walk because my legs were cracked and bleeding. Weird things like that can happen to your body.
Know all things to be like this: A mirage, a cloud castle, A dream, an apparition, Without essence, but with qualities that can be seen. Know all things to be like this: As the moon in a bright sky In some clear lake reflected, Though to that lake the moon has never moved. Know all things to be like this: As an echo that derives From music, sounds, and weeping, Yet in that echo is no melody. Know all things to be like this: As a magician makes illusions Of horses, oxen, carts and other things, Nothing is as it appears.
You have to be careful when it comes to copyrights, whether just sounding like or feeling like something is enough to say you violated their copyrights because there's a lot of music out there, and there's a lot of things that feel like other things that are influenced by other things. And you don't want to get into that thing where all of us are suing each other all the time because this and that song feels like another song.
I think that for me, growing up, my dad was in the Navy; we went all over the world. I love things the weirder the better. The idea I could eat things like snails or frogs legs or things like that was mind-blowingly cool.
Indeed, all things move, all things run, all things are rapidly changing. A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations, in their mad career. Thus a running horse has not four legs, but twenty, and their movements are triangular.
There are a lot of things that go into creating success. I don't like to do just the things I like to do. I like to do things that cause the company to succeed. I don't spend a lot of time doing my favorite activities.
I try to structure albums in a pattern, like in a way where there's a motif that runs throughout or some kind of conceit that informs it in a general way. Maybe it's in a harmonic key. I like to go metastructural sometimes, like look at more than the three-minute passage and how that interacts with other pieces. And I've been increasingly interested in false starts and fraudulent beginnings, and things that don't reach their implied conclusions. I take an album and I kind of start moving things around like Jenga.
I love a lot of things, a whole lot of things / Like / My cousin comes to visit and you know he's from the South /'Cause every word he says just kind of slides out of his mouth / I like the way he whistles and I like the way he walks / But honey, let me tell you that I love the way he talks.
When things start becoming second nature, I get a little paranoid because I feel like maybe my craft isn't evolving. I get a lot of gratification when I do something that's really quick. Like if you've got someone who's really twitchy, like Lady Gaga. I have never in my life seen someone move that much in a chair. I said, "Look, your hair's knackered, you wear wigs all the time. Let's cut it off." It took 10 minutes.
I like to wear a lot of baggy things. Like, I buy guys' clothes, like T-shirts, and I cut them up and wear them loose, but my blazers have to be really fitted. I also like layering things and really short skirts - or showing off my legs.
I don't think it's about playing and singing, to be honest. That seems like old news, you know? I wasn't thinking about that. I just think that's in my body now. Dancers don't think about their legs moving one way and their arms moving another. Over time, you incorporate that into your instrument.
I do feel even though now I'm acting, I still feel like I'm going to do a lot of other things, like write a book or multiple books, maybe a children's book - just random things that I feel like I want to do, that I have an urge to do in that moment.
What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive. It's really hard to do a literary reproduction of what makes you happy. That's what I try to do. If nothing else, it seems like there's enough people out there telling the world what isn't cool, or what's terrible, or what's depressing. I think there's an element of cynicism in my writing, but I'm an optimistic cynic.
A lot of things you just stumble into: relationships or ways of putting characters opposite one another that really worked. So then it's not always so much about imitating other people, but imitating yourself, at least in your thinking.
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