A Quote by Lucas Till
I don't know about actually doing real productive work on my own car.
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If I was a complete slacker who was just doing nothing but traveling, I don't know if I would have the discipline to be productive and create this job, and on the other hand, if I was always disciplined and productive, I don't think I would have that mystical connection that lead to great work.
Acting is always sort of the same - like you want to be - you know you're pretending and you want to make it as real as you can. That's the similarity. The mediums other than that are completely different. I mean you know with camera work you're doing really small detailed work and you know if you do anything too big you've sort of failed. And with stage, especially with the play I'm doing right now, I'm doing a farce, and it's so over the top that you can't actually be too big. So it's just completely different.
Any car designer always dreams about designing their own car - if they say they don't, they're lying... For me, it was never about starting my own company just to make another car.
The REAL American Dream is not about a garage full of new cars, winning the lottery, or retiring to a life of ease in Florida. It's about doing work that has meaning, work that makes a difference, and doing that work with people you care about.
I hope Let Me In doesn't encourage it! I mean, vampires might be real! Honestly, I don't know. It's like saying aliens are real. I don't know. We are so tiny in the spectrum of the universe, we're a speck of dust compared to some galaxies, and so who knows what's out there? We barely even know our own - we know more about space than we know about our own sea.
People say writing is really hard. That's very unfair to those who are doing real jobs. People who work in the fields or fix roofs, engineers, or car mechanics. I think lying on your back working under an oily car, that's a job.
Norman Rockwell spent his career painting pictures that helped people understand their own feelings...pictures that enriched their own experiences and celebrated their own lives. But the art establishment branded him an 'illustrator', a sentimental one at that. Real artists, they said were doing art for art's sake, not for the sake of the bourgeois public. Real artists were putting swiggles, smears or daubs of paint on the canvas. They were doing 'innovative' and 'creative' work. If they were hideous and grotesque; we know that's what life really is!
We dream of having a clean house - but who dreams of actually doing the cleaning? We don't have to dream about doing the work, because doing the work is always within our grasp; the dream, in this sense, is to attain the goal without the work.
I start with actors that I know personally or I know their work, and there are things about their work or their presence or their own personality that make a character, that exaggerates some qualities and suppresses other qualities. It's always a real collaboration for me.
I'm realizing that the people who criticize what I'm doing, their intentions and comments are not actually real.There's nothing happening in the real world outside of whatever they're writing on the internet. Whereas for the people who feel inspired by what I'm doing, there's something so concrete and powerful in what's happening when they feel empowered. There's actually some kind of growth or self-acceptance, some kind of self-love that's actually being triggered, hopefully. And that's real.
I realized doing this work, identifying either issues or challenges or thinking about opportunities to actually impact people's lives, I could actually make things better, and bringing people around the table for solutions was something I liked doing and was actually something I was able to do fairly well.
The antidote to envy is one's own work. Always one's own work. Not the thinking about it. Not the assessing of it. But the doing of it. The answers you want can come only from the work itself.
The only real goal I had was, I wanted to own a car. Because my father, most of the time, he couldn't afford a car. Once in a while he would have a car, but it would be 10 or 15 years old, an old jalopy.
I didn't know much at all about YG before I arrived there the first day. It felt like something far removed from me. I never thought I'd actually be doing it for real.
I can imagine people actually working in virtual environments where productive, cooperative work is undertaken, and I think we will find people helping others to take advantage of masses of information that are inaccessible or too vast to process in real time today.
I have never heard a doping offender say he felt good about doing it. Not a single one. Some athletes justify their actions by saying it enabled them to afford a bigger house or a better car. But they are never really happy. They know that they are not real winners.
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