A Quote by Lucia Perillo

Sometimes a name seems our most arbitrary possession, and sometimes it seems like the grain in a rock like a sculptor's hunk of Italian marble: Whack it and you might get either your first glimpse of a saint or a pile of rubble.
It seems to me that we can’t explain all the truly awful things in the world like war and murder and brain tumors, and we can’t fix these things, so we look at the frightening things that are closer to us and we magnify them until they burst open. Inside is something that we can manage, something that isn’t as awful as it had a first seemed. It is a relief to discover that although there might be axe murderers and kidnappers in the world, most people seem a lot like us: sometimes afraid and sometimes brave, sometimes cruel and sometimes kind.
Sometimes I'm in that timeout, and I say, 'Let's go a possession of zone,' and they're like, 'Yeah, let's do it,' and that shows that they're confident enough to roll with whatever we're doing. And sometimes they're like, 'No, no, no, no.' They don't want a possession to get away from them, possibly.
I'm content with what I've got from the industry, even though sometimes it seems like I might not get the proper credit.
Sometimes it seems to stand still. Like you’re in a bag and you can’t get out and somebody’s always telling you that it will get better with time and time just seems to stand still and laugh at you and your pain.
Rock n' roll seems like it's faded away sometimes, but it will never die.
Sometimes I feel like being an intellectual. Sometimes I like to just be aggressive and all the way in my feelings. Sometimes I might be emotional, or sometimes I might drag on the track and be lazy. I just like to share the different states of existence of Kevin Gates with the rest of the world.
Sometimes we hold on to our possessions because we fear we might run out - life seems scarce. But when we believe that giving is the way to live, we will produce more in the future - life seems abundant.
Sometimes it seems like we're closer to our manicurists than we are our own souls. We have to find ways to get in touch with that and to listen to it and to hear it.
I think we get on with living our lives like everybody else does. Where we're at in music is trying to explain what's going around us either directly or by analogy and trying to create a parallel, an analog, sometimes musical, sometimes dramatic, that might be truthful.
What makes me laugh about politics, sometimes, is it seems like once we get to a point where our problems are seemingly unsolvable, it's because we're looking through a wrong point of view. If we turn the thing on its head, then maybe we might see it differently.
I don't really consider myself an American filmmaker like, say, Ron Howard might be considered an American filmmaker. If I'm doing something and it seems to me to be reminiscent of an Italian giallo, I'm gonna to do it like an Italian giallo.
In our democracy and our civic discourse, it seems as if folks who take religion the most seriously are sometimes also those who are suspicious of those not like them.
Music seems to hold everything together. It seems to make things not so chaotic sometimes. It seems to make things make more sense sometimes.
Your confidence is the 15th club in your bag. You'd like it to be a thick headed driver. But it sometimes seems like a pretty weak little stick.
Sometimes I'll have a scene that strikes me, I just feel like writing a scene, a mini-story that seems like it might lead somewhere. But that is such a tentative, fishing-hook way to go about it that these days I've found it's easier to kind of at least have your concept and start attaching things to a skeleton. So I try to find the armature, the kind of backbone of it first that you can start to hang those scenes on.
Sometimes it seems like this is the choice - either kick ass or kiss ass.
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