A Quote by Lucian Freud

The paintings live because their creator has been passionately attentive to their theme, and his attention has left something for us to look at. It seems a sort of miracle.
Most songs come from being attentive. Attentive to life, attentive to scripture, attentive to your heart. Pay attention!
Modern paintings often seem to have been made quickly, by comparison with the paintings of earlier centuries, and that seems to give us the license to look at them quickly - to consume them and move on.
It's no good. I've been trying to sleep for the last half-hour, and I can't. Writing here is a sort of drug. It's the only thing I look forward to. This afternoon I read what I wrote... And it seemed vivid. I know it seems vivid because my imagination fills in all the bits another person wouldn't understand. I mean, it's vanity. But it seems a sort of magic... And I just can't live in this present. I would go mad if I did
Meditation is a state of mind which looks at everything with complete attention, totally, not just parts of it. And no one can teach you how to be attentive. If any system teaches you how to be attentive, then you are attentive to the system, and that is not attention.
If I were making paintings of a bowl of fruit it would still be viewed through some sort of political lens, because the viewer wants to create a type of narrative around the political theme when they look at work depicting black and brown models.
People are still making paintings. People are still enjoying paintings, looking at paintings. Paintings still have something to tell us. There's a way of being in the world that painting brings to us, that painters bring to the task that we absorb and are able to be in dialogue with. That's something that's part of us.
I'm passionately involved in life: I love its change, its color, its movement. To be alive, to be able to see, to walk, to have houses, music, paintings - it's all a miracle.
Some people might be surprised that 'Rambo's creator has a doctorate in American literature. One of my influences is Henry James, whose major theme is awareness. Whether I'm writing about military personnel, law enforcement, or De Quincey, the persistent theme is paying attention in a hostile world.
But his face had that hollow look, as if there was something gone... you know that look. The inward focus. Distantly attentive to the home you're missing, or the someone you're missing. That look that a bird has when it turns it dry reptilian eye on you. That look that doesn't see you because the mind is filled up with someone it would rather see.
I actually do not believe that Trump is anti-trade as such. He himself was a life-long trader in his own area, the real estate sector. And hasn't he just closed an arms deal with the Saudis valuing over $100 billion? The difference is that Trump sees trade as something with a winner and a loser. This seems to be a theme of his, and that makes us different. For us, trade is something where both sides win.
To be alive, to be able to see, to walk, to have houses, music, paintings - it's all a miracle. I have adopted the technique of living life miracle to miracle.
What is striking is these things [patterns in nature, e.g. fish stripes] do look like something that has been crafted. We are conditioned to think that a pattern needs a patterner and so at first glance it seems incredible to us that nature is able to do this, without any sort of blueprint, without any sort of plan. These patterns organise themselves, that is the amazing thing.
To a frog that's never left his pond, the ocean seems like a gamble. Look what he's giving up: security, mastery of his world, recognition! The ocean frog just shakes his head. "I can't explain where I live, but someday I'll take you there."
I love the art history ones because it's so little work for me. There's so many paintings that when I look at them, the look on the lady's face is like so clear and her body language and her posture or their physical situation is so immediately recognizable. Anyone who's been in a conversation they didn't want to have, or been getting harangued by a little kid they didn't want to pay attention to or been tired and wanted to go to bed is just like, "Yes, of course."
Illusion - or rather appearance, semblance - is the theme of my life (could be theme of speech welcoming freshmen to the Academy). All that is, seems, and is visible to us because we perceive it by the reflected light of semblance. Nothing else is visible.
The reverence that the object maker has for the materials, for the shape, and for the miracle of his skill transcends to God, the Master Craftsman, the Creator of all things, who uses us, our hands, as His tools to make these beautiful things.
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