A Quote by Lucian Freud
The only way I could work properly was by using the absolute maximum of observation and concentration that I could possible muster.
Related Quotes
I had great difficulties learning to play initially because I could not think rhythmically properly, although it's an even-paced rhythm, I was not phrasing properly, I was too Western. It took me a while to learn to think in needed form, and the only way I could learn was just by ear.
What I could have done in real life only by throwing a bomb which would have led to the scaffold I tried to achieve in painting by using color of maximum purity. In this way I satisfied my urge to destroy old conventions, to disobey in order to re-create a tangible, living, and liberated world.
An army should always be so distributed that its parts can aid each other and combine to produce the maximum possible concentration of force at one place, while the minimum force necessary is used elsewhere to prepare the success of the concentration.
I was well aware of my limitations as a football player and knew that I needed every edge I could possibly get in order to compete. A big part of that was to be as precise as I could and make as few mistakes as possible because I figured that was the only way I could survive.
I thought that you had to work, work, work and try to be the best musician you could, and that's the only way you could make it. Then it turns out, halfway through the scene, they change the rules on you!
I created a paradigm by which I could succeed, and up until recently it was the only way I could do it. I could not take the brunt of standing in the light of my own work. There was a Faustian bargain I could not make. I could have you mock me for wearing funny clothes that I could deal with. But I couldn't deal with actually standing in the light of my own musical power. That's the difference now. It's like, okay, no more of that, you're done.
In his own way, he's lived life with all the intensity he could muster.
...in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
I decided to do the maximum to hold onto the lead for as long as possible. That is why I pushed so hard from the beginning. I was at 100 percent concentration.
Which is why, in my lieder concerts, I always strove, when possible, to sing only the works of a single composer, so that the audience could be gradually drawn into a particular creative genius' way of thinking, and could follow him.
Years of concentration solely on work and individual success meant that in his retirement [Lyndon Johnson] could find no solace in family, in recreation, in sports or in hobbies. It was almost as if the hole in his heart was so large that even the love of a family, without work, could not fill it.
I liked the 12-bar blues because everybody could play it, but they could also play it their own way, and they could express their own emotions using that as a structure.
Even if things are as bad as they could possible be, and as meaningless, then matters of truth are themselves indifferent; we may as well please our sensibilities and, with as much spirit as we can muster, go out with a buck and a wing.
I grew up in a church. My mom is a minister so she would make us go to every possible church she could muster.
I could never muster the courage to speak to girls in my college in Pune. Most of them were Parsis and spoke English. I came from a village and could barely converse in English.
I see more and more that my work goes infinitely better when I am properly fed, and the paints are there, and the studio and all that... I wish I could manage to make you really understand that when you give money to artists, you are yourself doing an artist's work, and that I only want my pictures to be of such a quality that you will not be too dissatisfied with your work.
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