A Quote by Lucian Freud

I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
As far as I am concerned the paint is the person. I want it to work for me just as flesh does
I want paint to work as flesh.
I would wish my portraits to be of the people, not like them. Not having a look of the sitter, being them.
As a boy, I used to look at reproductions of Rembrandt's portraits... the people in his paintings were so real I felt I knew them... It is his empathy for the sitter, combined with his enjoyment and dexerity in handling paint that captured my imagination then, and is what I am striving for still.
I paint German artists whom I admire. I paint their pictures, their work as painters, and their portraits too. But oddly enough, each of these portraits ends up as a picture of a woman with blonde hair. I myself have never been able to work out why this happens.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
In all my documentaries, I have great respect for the people I work with. Really, I love them. And it's very important for me that when I finish a movie, they stay my friends. It's important that they won't feel that I in any way manipulated them or showed them in a bad light. I want to show them in all their reality - not as subjects but as people with flesh and blood - but I want to do this with all my respect.
I don't understand why people take Beyonce so seriously. You don't feel like there's a living, breathing person. It's not flesh and blood. It's just flesh and flesh.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
That's what I paint, I paint people. They're portraits, but you won't always be pleased with the way you look in my paintings. Which is fine, I guess. Unless you're buying it, and it's of your kid!
As far as outdoor work is concerned, a studio is only a garage; a place in which to store pictures and repair them, never a place in which to paint them.
The most horrible question students ask: 'How do you paint copper?' 'How do you paint flesh or glass?' You paint everything the same way: Right color, right value, in right spot. There are no prescriptions.
I paint in oils, I paint in acrylics. I paint figurative and landscape portraits. It's all in my own kind of style. I'm self-taught.
There are certain people I do want to absolutely dislike me. And I want them to paint me as their enemy. Because I want nothing to do with them.
I paint a woman's big rounded buttocks so that I want to reach out and stroke the dimpled flesh.
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