A Quote by Lucian Freud

My work is purely autobiographical... It is about myself and my surroundings. — © Lucian Freud
My work is purely autobiographical... It is about myself and my surroundings.
All of my surroundings influence my songwriting. It's autobiographical, although I leave enough space so it's relatable.
People ask, 'Are your things autobiographical?,' and I think, no, they're not autobiographical directly, but of course my life has informed my work.
I very much dislike writing about myself or my work, and when pressed for autobiographical material can only give a bare chronological outline which contains no pertinent facts.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
The most purely autobiographical ­fiction requires pure invention. Nobody ever wrote a more auto­biographical story than "The Meta­morphosis".
Like most filmmakers and writers, there are roots in my own life, but they are stories that I invent. There was a period of time in my life when I made directly autobiographical films where I truly told what happened to me. But, now, I don't make directly autobiographical films anymore. I am more for renouncing that and being in front of history. The large part of my work tells about something I know. It's close.
After 'Blankets,' I was sick of drawing myself and doing this autobiographical, mundane, Midwestern sort of comics. I wanted to create something bigger than myself and outside myself.
I don't know if I've ever met anyone that's purely good or purely evil myself. I think most of us live with some varying degrees between the two.
Sometimes I'll write something that's purely autobiographical, and sometimes pure fiction, and sometimes a mix.
...by and by a change came: I started to muse about the shape of my nose. I put my trivial surroundings aside and mused more and more about myself, and I found this to be a bewitching occupation. I stopped asking and longed instead to speak of my thoughts and feelings. Alas, there was no one besides myself who found me interesting.
People assume that a self-portrait is narcissistic and you're trying to reveal something about yourself: fantasies or autobiographical information. In fact, none of my work is about me or my private life.
For me, I like to keep it real simple; I just worry about myself, the waves, and my surroundings.
It seems as though the goal of my work has always been to dissolve myself completely into the sensations of the surroundings in order to then integrate this into a coherent painterly form.
A bridge is born of necessity, but it must establish its own identity. It should harmonize with its surroundings, and the design must transcend the purely local and transform the setting.
In many of my plays, there was a kind of autobiographical character in the form of a son or young man. The purpose of it, of course, was to write about myself. That character was always the least fully realized. Eighteen years later, you realize, That's what he was about.
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