A Quote by Luciano Berio
Opera once was an important social instrument - especially in Italy. With Rossini and Verdi, people were listening to opera together and having the same catharsis with the same story, the same moral dilemmas. They were holding hands in the darkness. That has gone. Now perhaps they are holding hands watching television.
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You can get too close as a team. You need time away from each other. You change in the same dressing room, you play on the same cricket field, you stay in the same hotel, you travel in the same planes and buses. C'mon - this business of everyone holding hands and being pally is nonsense.
I looked at other couples and wondered how they could be so calm about it. They held hands as if they weren't even holding hands. When Steve and I held hands, I had to keep looking down to marvel at it. There was my hand, the same hand I've always had - oh, but look! What is it holding? It's holding Steve's hand! Who is Steve? My three-dimensional boyfriend. Each day I wondered what would happen next. What happens when you stop wanting, when you are happy. I supposed I would go on being happy forever. I knew I would not mess things up by growing bored. I had done that once before.
If we are now holding late-night talk-show hosts to the same moral accountability as we hold politicians or clergymen, I'm out. I'm gone.
People thought we were intimidating, especially once we'd had a few drinks, but when I look back we were virtually on top of each other, holding hands. We sounded so stupid.
A whole new world of Italian music was springing up, and [Giuseppe] Verdi was seen as old. Boito got Verdi all excited about the possibility of doing another opera, another kind of opera. In fact, Verdi composed his two best operas, Otello and Falstaff, in his eighties.
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
Steadfastness, that is holding on; patience, that is holding back; expectancy, that is holding the face up; obedience, that is holding one's self in readiness to go or do; listening, that is holding quiet and still so as to hear.
I remember once saying in a television interview that the only things I hadn't been in were the opera and the ballet. Two days later, I got a call from Lord Harewood, of the English National Opera, saying "Would you like to be in 'Ariadne auf Naxos?'"
I get bored with the same old film coming out every weekend. It feels like it's the same story all the time, and the same visuals, and the characters' dilemmas are remarkably similar.
How sad now never to see men holding hands, while everywhere one looks they are holding guns.
A ghost who, on the same evening, carries off an opera-singer and steals twenty-thousand francs is a ghost who must have his hands very full!
I hear footsteps and Four's hands wrap around my wrists. I let him pry my hands from my eyes. He encloses one of my hands perfectly between two of his. The warmth of his skin overwhelms the ache in my fingers from holding the bars. "You all right?" he asks, pressing our hands together. "Yeah." He starts to laugh.
That was my way, and I also use the music after five years, I started hearing opera, opera, it was very good instrument to keep the spirit very strong because you feel like you are yourself singing opera, and I used to hear a lot of opera, they send me tapes.
It's really funny because the same people who loved me as Stringer Bell were the same people that were watching Daddy's Little Girls literally in tears.
It's really funny because the same people who loved me as Stringer Bell were the same people that were watching 'Daddy's Little Girls' literally in tears.
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