A Quote by Luciano Pavarotti

It is so important for people at a young age to be invited to embrace classical music and opera. — © Luciano Pavarotti
It is so important for people at a young age to be invited to embrace classical music and opera.
I wouldn't know anything about opera music if it wasn't for Bugs Bunny. That was my entire introduction to opera music. I wouldn't know anything about classical music if it wasn't for "Fantasia." They didn't have to do that stuff. They chose to base this ridiculous, funny, intriguing, creative story on this beautiful classical music. It's the combination of the high and the low that I thought was very cool. But I had no concept of it as a kid.
My mom was an opera singer. She did all the classical music, and I heard it. I know every opera. I know every classical piece of music.
The average age of the Jazz audience is increasing rapidly. Rapidly enough to suggest that there is no replacement among young people. Young people aren't starting to listen to Jazz and carrying it along in their lives with them. Jazz is becoming more like Classical music in terms of its relationship to the audience. And just a Classical music is grappling with the problem of audience development, so is Jazz grappling with this problem. I believe, deeply that Jazz is still a very vital music that has much to say to ordinary people. But it has to be systematic about getting out the message.
And whether or not you're interested in opera or classical music or folk music or the theatre, I think that for a nation's health and well-being it's very important that the arts scene is supported.
As far as I was concerned the important thing was that the music was getting the attention as well as me so it was always a great way to get more of the public to connect with classical music, and opera particularly.
I became a set designer for opera. I'm a great opera buff, I love classical music, and I needed a time-out.
I was always involved in the arts from a young age. I started studying classical piano at age four as a student of the Associated Board of the Royal School of Music.
As a piano player, if 10 is concert level, I'd put myself at a 5 or a 6, but in a completely different genre than classical or opera. In terms of classical and opera, playing accompaniment, I'd say I was a 3.
I have never called myself an opera singer. Other people do, but I always call myself a classical singer. I'd love to do opera, but I'm still too young and I don't want to do it until I'm ready. I realise that when I do that it's going to be... up for discussion, shall we say, so I want to get it right.
I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.
My mother was an opera singer and my grandmother a concert pianist, and they only liked classical music. If I put on a pop record, they would tell me to turn it off, so I only listen to classical.
Rock music has always embraced - and even represented - rebellion, rowdiness, and a robust disdain for social decorum. But along with more classical art forms like theater, opera, and the symphony, it's suffering from the distracted, smartphone-carrying audiences of the digital age.
When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.
I had a lot of classical influences. I had classical music and opera and literature, but I also liked sleaze. And putting it together, sleaze and glamour, it just made sense to me.
Growing up as a classical musician, you're taught a lot about outreach and about how people aren't being taught music in school. But you don't have to study music to like it. And a lot of the music that people like - be it jazz or rock or opera - is stuff they haven't studied.
As a really young child, I was listening to the echoes of the age before, music hall and stuff like that, as well as classical bits on the radio.
This site uses cookies to ensure you get the best experience. More info...
Got it!