A Quote by Luciano Pavarotti

I want to reach as many people as possible with the message of music, of wonderful opera. — © Luciano Pavarotti
I want to reach as many people as possible with the message of music, of wonderful opera.
Obviously when you're making music, you want it to get out to as many people as possible. You want to reach as many people as you can.
It's very interesting to read why Cornelius Cardew became disenchanted with academic avant-garde music. He wanted to reach as many people as possible and change their consciousness. He wanted to reach the "working classes" in England. The kind of music he was making was very much from the academy, even though it had a lot in common with things like free jazz and improvisation, and he felt that it was the music of the elite, and that he wasn't really speaking to the people.
If you really believe in the message you're preaching, you want as many people as possible to listen.
Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.
My message is to forget about dichotomies. The Brain Opera is an opera, even if it does not tell a story in the usual way. It is a psychological journey with voices - so I do consider it an opera.
My parents were opera singers. I didn't want to play opera because I wasn't good enough. I didn't want to play their music; I wanted to play the music that I wanted to play, and I'm so lucky that today I get to play that music, even though I don't like every song I write.
I just want to make music as long as I can and reach as many people as I can.
I have always loved music and singing, and I am open to listen to any type of music. Regardless of my mood, my heart is always set racing when I listen to opera. When I decide which music I want to hear, my choice is almost invariably an opera recording.
And remember, also," added the Princess of Sweet Rhyme, "that many places you would like to see are just off the map and many things you want to know are just out of sight or a little beyond your reach. But someday you'll reach them all, for what you learn today, for no reason at all, will help you discover all the wonderful secrets of tomorrow.
I come to sing for the people, not for the government. God made the sunshine for everyone and made the moon for everyone. We have to follow his example so we have to play music for everyone too. We have a message, and in order for our message to reach the people, we have to play.
I want to make a film that can reach as many as possible so I want to talk in a language which I can easily communicate with.
I want as many people as possible to hear my music. I'm happy to entertain people by being a star.
At one point, I didn't care. Now I want as many people to hear my music as possible.
In a film score, the last thing you want to do is take people out of the movie. The music is secondary. In opera, the music is the main event.
We want to get this good music to as many people as possible because I think it heals, it soothes, I think music is incredibly important, especially in today's chaos.
I feel that I want what allows me to reach the largest number of people as possible, and I don't feel ashamed of that. I think I'm the kind of artist that's meant to be on a major label because my music is different.
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