A Quote by Lucie Brock-Broido

I want a poem which is made of compression, passion, precision, symmetry, & disruption. — © Lucie Brock-Broido
I want a poem which is made of compression, passion, precision, symmetry, & disruption.
The law of right-left symmetry was used in classical physics but was not of any great practical importance there. One reason for this derives from the fact that right-left symmetry is a discrete symmetry, unlike rotational symmetry, which is continuous.
The statement of ideas in a poem may have to do with logic. More profoundly, it may be identified with the emotional progression of the poem, in terms of the music and images, so that the poem is alive throughout. Another, more fundamental statement in poetry, is made through the images themselves those declarations, evocative, exact, and musical, which move through time and are the actions of a poem.
Let's get this out in the open once and for all. Here is how I feel about compression... Compression is for kids!!!!
I want to reiterate that my understanding of the poem is not the poem's core, true meaning. Once a poem goes out into the world, the poet is just one more reader.
Democracy is disruptive. Around the world, peaceful protesters are being demonised for this, but there is no right in a democratic civil society to be free of disruption. Protesters ideally should read Gandhi and King and dedicate themselves to disciplined, long-term, non-violent disruption of business as usual - especially disruption of traffic.
Hours later, Adam propped himself up on an elbow and stared down at Gabrielle, pondering what made beauty. He thought he was beginning to understand. It wasn't symmetry of features; it wasn't perfection. It was uniqueness. That which one person had that no other possessed. That which was only their own.
The Rock is the Rock, you know? He's the ultimate athlete, the professional man with precision. And you want precision from a 270-pound living, walking brick wall.
What is revolutionary today is that we're using precision-guided munitions. And instead of building individual weapons, we are building an industry and a philosophy, the culture of precision. You saw Desert Storm. Precision works.
Beauty is rather a light that plays over the symmetry of things than that symmetry itself.
Introduction To Poetry I ask them to take a poem and hold it up to the light like a color slide or press an ear against its hive. I say drop a mouse into a poem and watch him probe his way out, or walk inside the poem's room and feel the walls for a light switch. I want them to waterski across the surface of a poem waving at the author's name on the shore. But all they want to do is tie the poem to a chair with rope and torture a confession out of it. They begin beating it with a hose to find out what it really means.
Digital mechanics predicts that for every continuous symmetry of physics there will be some microscopic process that violates that symmetry.
The subject of the poem usually dictates the rhythm or the rhyme and its form. Sometimes, when you finish the poem and you think the poem is finished, the poem says, "You're not finished with me yet," and you have to go back and revise, and you may have another poem altogether. It has its own life to live.
The person who did most to give to analysis the generality and symmetry which are now its pride, was also the person who made mechanics analytical; I mean Euler.
Boris Johnson needs to be challenged, with passion, heart and precision.
My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.
Trust me, you can't change anything without causing some degree of disruption. It's impossible, that is exactly what change is. Some people are uncomfortable with the disruption that change causes, but the disruption is necessary if anything is going to change.
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