A Quote by Lucile Hadzihalilovic
It seems to me that [my films] are talking about very simple and, I hope, universal feelings. And at the same time, even though they are set in a very weird world with elements that are irrational, at the same time, it's very close to an ordinary world. And I like to have this third feeling of mystery.
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The American people voted for a president, Donald Trump, who's very tough, very strong, very aggressive on terrorism, but at the same time smart. At the same time sophisticated. At the same time, heeding the wisdom of our founders who warned about entangling foreign engagement.
I don't want to say too many words about the magic of the Cube, because it's basically a mystery. It's like the Mona Lisa smile. It's both complex and very simple at the same time. And, well, people like it. Even today.
Life is weird and complex but very simple at the same time. It's all about perception.
Country music... doesn't bend notes in the same way, so I suppose it's very English, really. Even though it's been very Americanized, it feels very close to me, to my roots, so to speak.
Acknowledging that sometimes, often at very crucial times, you really have no idea where you are going or even where the path lies. A the same time, you can very well know something about where you are now (even if it is knowing that you are lost, confused, enraged or without hope).
A lot of directors say, 'Do whatever you want, and I'll just change it on set.' But I love being involved in every part of production. It's very exciting. It's like an empire of creation: Everybody is working so hard to respect a vision and an idea, and it's very weird and inspiring at the same time.
A life of very, very serious, po-faced films would drive me nuts. I need - and I'm fortunate to have - a fairly varied menu in that respect. I mean, I was shooting 'Mamma Mia!' at the same time as I was doing Michael Winterbottom's 'Genova'. That was a very, very bizarre summer.
From the time I was little, I'd been kind of freaked out by the whole deal with large groups of people. And even moderate - sized groups of people. It's always made me very uncomfortable. It's such a strange phenomenon, what happens to people when they're all moving in the same direction, all chanting the same tune, the same line of slogans or something. That stuff always seems very alien and bizarre to me, and kind of scary.
I'm very prescriptive about my routine. Almost nothing changes: I have the same meal - pasta with Bolognese sauce - between shows; the person who dresses me stands on the same side every time; I take the same route to the stage. I'm very OCD about these things, as most actors are.
I don't like real places, but I don't like imagined ones either. I feel like I'm looking for some mixture and it's very hard for me to say because I like to use real place names because there's an uncanny feeling to them, but at the same time I don't ever really try to make them plausible. Sometimes I like to use them as a way to hide in plain sight a little bit, because to me a very exotic or imagined setting has a lot of weight and a lot of burden to it, and it doesn't suit me, but a real place seems to have its own weird legacy, so I don't know what the choice is?
I'm feeling more and more thoughts that aren't songs, just reflections. I'm always been very shy and in some ways a prisoner in one language and I feel that the liberation of creativity has to be in all senses. So I've been deciding to publishing something very simple but very small at the same time, nothing egocentric.
When you direct is the only time you get to have the world exactly how you want it. My movies are very close to what I set out to do. And I'm super-opinionated about what I do and don't like.
Even though China was a very closed country, they thought of themselves as the center of the world. It is an ethnic characteristic. After I went to Japan, I had a totally different view. The Japanese are always talking about what the Western world is doing. There is the anxious feeling of an outsider.
To go from Jon Favreau for Iron Man 1 and 2 to Kenneth Branagh for Thor and the very different world of Thor, it's about how to adapt to Coulson in a different setting and a different world while, at the same time, still have him be a part of the same world.
People who have grown up in a world where this was not a concern and suddenly start hearing about climate change - it's very difficult. It's a very, very abstract concept. So we need to work on making it very educational and very, very clear, in very simple terms.
To me, Punisher is pretty black and white. He's very simple, and at the same time, he's very complex. I don't know why I think I understand the guy, but I feel I do.
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