In comedy, it's not the glamorous, beautiful people that are great at comedy. They're either every man or every woman, they're either quite tall and lanky or shorter and fatter or have a big nose. They have something physically about them that makes them into a comic stereotype.
You can't teach talent. You can't teach inspiration. You can teach people critical facilities. You can give them techniques. You can teach discipline. And you can teach them about the business.
We do not find happiness by being assertive. We don't find happiness by running over people because we see what we want and they are in the way of that happiness so we either abandon them or we smash them. The Scriptures don't teach us to be assertive. The Scriptures teach us — and this is remarkable — the Scriptures teach us to be submissive. This is not a popular idea.
I'd teach them to read and to dream and to look at the stars and wonder. I'd teach them the value of imagination. I'd teach them to play every bit as hard as they worked. And I'd teach them that all the brains in the world can't compensate for love.
I think you can teach people a technique - you can teach them how to use their voices, how to breathe properly, how to move their limbs a certain way. But to actually explain how one performs comedy or drama or tragedy isn't the same as the movements one makes.
People are either funny or they're not, and you can't teach that - but you can teach people to work together to make an idea better.
If you expect the present day school system to give history to you, you are dreaming. This, we have to do ourselves. The Chinese didn't go out in the world and beg people to teach Chinese studies or let them teach Chinese studies. The Japanese didn't do that either. People don't beg other people to restore their history; they do it themselves.
Men are born for each other's sake, so either teach people or endure them
You can teach people to sew, set up a fashion shoot, send emails, deal with the media, but what you can't teach is a sense of style. You've either got it or you haven't, it's as simple as that.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
Obviously, when you do something with drama and comedy in it - and by that, I mean a scene that has drama and comedy in it - you know the minute you introduce music, you're either scoring the drama or you're scoring the comedy, and therefore the scene becomes either dramatic or comedic.
The comedy community is fairly supportive of human beings in general. There are some things you can teach with comedy that people can't learn by being hit over the head with facts. I think, as comedians, we're trying to change the world. It's slow, but sure.
All men are made one for another: either then teach them better or bear with them.
You can teach people a lot about craft and various techniques, and you can certainly teach them to appreciate, but you cannot give them spirit or soul if it's not there.
Humans have come into being for the sake of each other, so either teach them, or learn to bear them.
I think you're born with a comedy gene, and you can't teach timing, and you can't teach satire, pathos.