A Quote by Lucille Bliss

You must lose yourself if you want to be successful in animation and be the character. — © Lucille Bliss
You must lose yourself if you want to be successful in animation and be the character.
In our animation we must show only the actions and reactions of a character, but we must picture also with the action. . . the feeling of those characters.
You can tell yourself that you would be willing to lose everything you have in order to get something you want. But it's a catch-22: all of those things you're willing to lose are what make you recognizable. Lose them, and you've lost yourself.
You must not fall. / When you lose your balance, resist for a long time before turning yourself toward the earth. Then jump. / You must not force yourself to stay steady. You must move forward.
If you grow yourself to become a successful person, in strength of character and mind, you will naturally be successful in anything and everything you do.
If you want to be successful, you must respect one rule. Never lie to yourself.
When you do animation - well, straightforward animation, although it's not straightforward - the voice for a character or something, they're always singular experiences, really.
You must be passionate, you must dedicate yourself, and you must be relentless in the pursuit of your goals. If you do, you will be successful.
When you lose touch with inner stillness, you lose touch with yourself. When you lose touch with yourself, you lose yourself in the world. Your innermost sense of self, of who you are, is inseparable from stillness. This is the I Am that is deeper than name and form.
I would say that Pixar is doing for animation what Chaplin did for film, infusing it with heart and characters that you care about and stories that you lose yourself in. They are similar revolutionaries and changing a medium.
Every actor has his own approach towards acting. I believe you do not become the character you are playing. You may get closer to it but you do not lose yourself. There's just a reflection of the character in you.
If you want to catch a cold, hang out with sick people. If you want to lose, associate with losers. But if you want to become successful, go out of your way to associate with successful people.
You must demand nothing less than the best of yourself and for yourself. You must tell yourself that it is not wrong to want it all.
What does Macbeth want? What does Shakespeare want? What does Othello want? What does James want? What does Arthur Miller want when he wrote? Those things you incorporate and create in the character, and then you step back and you create it. It always must begin with the point of truth within yourself.
Yeah, once we decided to use that replacement animation, and the seams are a function of that animation, and other movies paint those out, we decided we wanted to keep the presence of the animation and the type of animation that it was rather than make it look polished. It created a kind of vulnerability, I think.
One misconception I think is wrong is that being a larger size means, somehow, that you're neglecting your body, or you don't look after yourself, or you don't love yourself enough to lose weight. We've been saturated with the idea that to be happy you must be thin, or to be healthy you must be thin.
I'm not responsible for my photographs. Photography is not documentary, but intuition, a poetic experience. It's drowning yourself, dissolving yourself, and then sniff, sniff, sniff - being sensitive to coincidence. You can't go looking for it; you can't want it, or you won't get it. First you must lose your self. Then it happens.
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