A Quote by Lucille Clifton
I do not feel inhibited or bound by what I am. That does not mean that I have never had bad scenes relating to being Black and/or a woman, it means that other people’s craziness has not managed to make me crazy.
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I speak about androids because I think the android represents the new 'other.' You can compare it to being a lesbian or being a gay man or being a black woman ... What I want is for people who feel oppressed or feel like the 'other' to connect with the music and to feel like, 'She represents who I am.'
Solitude does not necessarily mean living apart from others; rather, it means never living apart from one's self. It is not about the absence of other people -- it is about being fully present to ourselves, whether or not we are with others. Community does not necessarily mean living face-to-face with others; rather, it means never losing the awareness that we are connected to each other. It is not about the presence of other people -- it is about being fully open to the reality of relationship, whether or not we are alone.
Being holy . . . does not mean being perfect but being whole; it does not mean being exceptionally religious or being religious at all; it means being liberated from religiosity and religious pietism of any sort; it does not mean being morally better, it meas being exemplary; it does not mean being godly, but rather being truly human.
Ambition! We must be careful what we mean by it. If it means the desire to get ahead of other people - which is what I think it does mean - then it is bad. If it means simply wanting to do a thing well, then it is good. It isn't wrong for an actor to want to act his part as well as it can possibly be acted, but the wish to have his name in bigger type than the other actors is a bad one.
I am more than a black guy. I am a person, I'm storyteller, I'm a son, I'm a friend, so I am all those things, so it is frustrating, to a degree, to be limited by other people's perceptions of me, but at the same time, it is true that I am a black guy, and, you know, it's like I'm rooted in but not bound by.
I don't think of music as being a competition - what I make is exactly what I want it to be for me, and it's not better or worse than anything else. I'm just trying to be the best at what I am, or that I possibly can be. And when I've done that, I feel incredibly confident and there's nothing anyone can see to dampen that, but I don't think that because it means something to me, it has to necessarily mean something to other people.
I am more than a black guy. I am a person, I'm storyteller, I'm a son, I'm a friend, so I am all those things so it is frustrating to a degree to be limited by other people's perceptions of me but at the same time, it is true that I am a black guy and it's like I'm rooted in, but not bound by. That sort of mentality, that's the one that I hold to be true.
My being a black woman is not a deficit. It is a strength. Because I could not be where I am had I not overcome so many other barriers. Which means you know I'm relentless, you know I'm persistent, and you know I'm smart.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy).
I'm afraid I'm not sufficiently inhibited about the things that other women are inhibited about for me. They feel that you've given away trade secrets.
Interacting with other people does not come naturally to me; it is a strain and requires effort, and since it does not come naturally I feel like I am not really myself when I make that effort. I feel fairly comfortable with my family, but even with them I sometimes feel the strain of not being alone.
To adjoin the instinctual nature does not mean to come undone, change everything from left to right, from black to white, to move the east to west, to act crazy or out of control. It does not mean to lose one's primary socializations, or to become less human. It means quite the opposite. The wild nature has a vast integrity to it
Being free means "being free for the other," because the other has bound me to him. Only in relationship with the other am I free
Does being practical mean we prop up a legal system that's unfair, that bears its weight down on black men and black women, and by extension if you are Hispanic or indigenous or poor? Does being practical mean you don't say to the American people you deserve better than you're getting? That's not the practical we want.
God sent Jesus to join the human experience, which means to make a lot of mistakes. Jesus didn't arrive here knowing how to walk. He had fingers and toes, confusion, sexual feelings, crazy human internal processes. He had the same prejudices as the rest of his tribe: he had to learn that the Canaanite woman was a person. He had to suffer the hardships and tedium and setbacks of being a regular person. If he hadn't the incarnation would mean nothing.
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