A Quote by Lucille Eichengreen

I went to work at seven in the morning. Around noon time we got the watery soup. And we worked until seven or eight or nine at night, sometimes later. And then I walked back home - there was no public transportation - into that shared room. And if there was food we would prepare an evening meal depending on what was available. And then probably go to bed because it was cold most the time. And then start the day all over again, six or seven days a week.
I grew up playing the guitar. I started when I was nine, and by the time I was nine and a half or ten, I was doing seven or eight hours' practice every day. I did two hours' practice at six o'clock in the morning before I went to school, and another two hours as soon as I got home from school in the afternoon. Then I did four hours at night before I went to bed. I did that until I was fourteen or fifteen.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
I think there were six or eight weeks between 'Total Recall' and 'Seven Psychopaths.' I was at home in Los Angeles for 'Seven Psychopaths,' so it was the first time I had worked from my house here so it was great to be around the kids.
Most important, for openers, work six hours a day, seven days a week for six years. Then if you like it you can get serious about it.
You know, on the road, I never miss a meal. I eat five, six, seven times a day, depending on when I wake up and when I got to sleep. I never miss a training day. I always get my four days out of my seven.
I spend most of my time in a room alone where eight hours go by, and I have no sense of time. I work seven days a week, and I live in this sort of vague subconscious fog a lot.
And yeah, my handicap was down to a 10 when we were at the thick of it. I trained for six or seven months, golfing every day for six hours, seven days a week, with eight trainers. It was intense.
I usually work seven days a week and rarely take vacations, which is both lame and unsustainable. I don't mind the idea of writing seven days a week, I suppose. Getting some work done early in the morning. But ideally I would love to take one day a week off.
The typical workday, particularly in startup mode, is from nine to six or nine to seven, then you take a two-hour break to work out and eat dinner. By that time, you're relaxed, and then you work until midnight or one A.M. If there was no break with physical activity, you'd be more tired and less alert.
I remember there was days when I would do six, seven countries in a day, you'd just be flying around and I'd get up in the morning and not know what I was doing. In one day I'd fly to Belgium and then off to Sweden and then do a gig in Leeds, I literally didn't know what I was doing from day to day.
My father was a tailor. He worked from seven o'clock in the morning until seven at night. At least when he got home, my mother always cooked him a very good dinner. Lots of potatoes, I remember; he used to knock them down like a dose of salts. He needed it, after a 12-hour day.
I was a full-time mom for seven years. You go back on tour, you're back in hotels, you're ordering room service, and you're getting an itinerary slipped under your door every,day. You're kind of thinking, 'Did I go home for seven years, or was that just a dream?'
In the late '60s, I was seven, eight, nine years old, and what was going on in the news at that time that really excited a seven, eight, nine year old boy was the Space Race.
I work seven days a week, from 9 in the morning till 8 at night. I have the titles of the next eight novels I want to write. I feel myself pitiable, degraded on a day that I don't write.
After hours, I would train, train, train, six or seven days a week, until 2 or 3 in the morning sometimes.
Sometimes it's a struggle to make everything work. I usually work on music from nine in the morning until three in the afternoon. Then there are the family activities. Then I work again at night - from nine to as late as two.
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