A Quote by Lucinda Childs
I use geometric and mathematical ideas to organize material, but those are tools. The purpose of the work is not to expose that at all, but to arrive at some kind of expressiveness.
Related Quotes
I was trying to figure out what to do next, I'd been accumulating ideas for productivity tools - software people could use every day, particularly to help organize their lives.
Much of what I make is geometric, and has a kind of almost mathematical logic to the form.
Animation is about timing; movement or lack of movement, often in time with music. These are the tools which make it's visual gags work, or not. Again, comics don't have those tools, so you have to find some sort of parallel to create something that suggests a close approximation of the source material, but without the ability to truly replicate it.
If the system exhibits a structure which can be represented by a mathematical equivalent, called a mathematical model, and if the objective can be also so quantified, then some computational method may be evolved for choosing the best schedule of actions among alternatives. Such use of mathematical models is termed mathematical programming.
I love the idea of carrying on some kind of tradition using some of the artifacts from people that touched my life. They're a continuum, too. I still use my father's tools and some of my grandfather's tools. There's a very romantic streak in me. I confess, I'm a romantic, but I like the idea.
What great philosophers do for us is not to hand out such an all-purpose system. It is to light up and clarify some special aspect of life, to supply conceptual tools which will do a certain necessary kind of work. Wide though that area of work may be, it is never the whole, and all ideas lose their proper power when they are used out of their appropriate context. That is why one great philosopher does not necessarily displace another, why there is room for all of them and a great many more whom we do not have yet.
I believe that almost all important, useful ideas are simple. Peter Whittle has recently put it nicely in an autobiographical essay. "If a piece of work is heavy and complicated then it is wrong." . . . Some writers feel that to express their ideas in simple terms is degrading. Some use complexity to disguise the paucity of their material. In fact, simplicity is a virtue and when, as here, it is both original and useful, it can represent a real advance in knowledge.
Stevie didn't use the technology to drive the song. He used it to enhance. I use the tools to further my work, I don't use my work to further the tools.
Ideas about life organize perception; names of emotions organize sensations; rules of syntax organize thought. But pain comes on its own.
They certainly aren't connected with the old geometric art. My work isn't geometric in that sense.
I love wild, baroque, slightly excessive theatrical ideas, and because television needs so much material, there's a chance to get some of those odd ideas done.
Those titles, Executive Producer or actor, are unimportant. I always try to approach my role as an artist. The first thing you want to do, that you attempt to do as an artist, is to have some sort of input into the material that you are working on. That is how my process begins; I say to myself: "I want to do this kind of work or I want to do that kind of work."
Machinery is aggressive. The weaver becomes a web, the machinist a machine. If you do not use the tools, they use you. All tools are in one sense edge-tools, and dangerous.
Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
The ideas of the ruling class are in every epoch the ruling ideas, i.e. the class which is the ruling material force of society, is at the same time its ruling intellectual force. The class which has the means of material production at its disposal, has control at the same time over the means of mental production, so that thereby, generally speaking, the ideas of those who lack the means of mental production are subject to it. The ruling ideas are nothing more than the ideal expression of the dominant material relationships, the dominant material relationships grasped as ideas.
What excites me is that, when things are tough, people become resourceful, and now with the Internet, social networking and the ability for people who in the past had been relatively powerless, they have tools to be able to spread ideas and organize. The urgency is there and the tools are there and I think that the possibility for really, really powerful results is there. I think it's all brewing, it's all bubbling up right now.
Related Authors
Alonzo King Quotes
American
Choreographer
Alwin Nikolais Quotes
American
Choreographer
Arthur Mitchell Quotes
American
Choreographer
August Bournonville Quotes
Danish
Choreographer
Blanca Li Quotes
Spanish
Choreographer
Edward Villella Quotes
American
Choreographer
Elizabeth Streb Quotes
American
Choreographer
Jean-Christophe Maillot Quotes
French
Choreographer
Maurice Bejart Quotes
French
Choreographer
Mia Michaels Quotes
American
Choreographer
Peter Martins Quotes
Danish
Choreographer
Ron Fletcher Quotes
American
Choreographer
Trish Sie Quotes
American
Choreographer
Trisha Brown Quotes
American
Choreographer
