A Quote by Lucinda Williams
I was immediately taken with Geoff Muldaur's rich soulful voice, masterful phrasing and guitar playing when I first heard him.
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Geoff Muldaur was and is one of my musical heroes. When I listen to him sing and play, I can hear the coal mine, the cotton field, and last, but certainly foremost, the boy's boarding school.
There are only three white blues singers -- Geoff Muldaur is at least two of them.
When I first heard Bob Dylan, I'll be honest, I didn't like him. But I was shallow of mind and didn't understand the poetry. I just judged him on his singing and his guitar playing.
The first couple of times I went out and heard my voice or heard people listening when I wasn't the one playing it for them, it felt good.
A lot of cats in New Orleans, very soulful, very soulful musicians and they assume that they're singers. And they just make that assumption. And so when there's a little intonation problem, people are very forgiving of them because they heard how soulful they play.
I just wanted to show people - maybe I'm wrong - that I can still really sing. I can sing better than I ever have before. My intonation is way better, my timing, my phrasing - there's a lot more expression; I feel it's a more lived-in, soulful voice.
When I hear that young people have come to the theater for the first time to listen to opera, I'm very happy. Because it's the same thing that happened to me as a child. When I first heard the tenor voice, I immediately fell in love with this kind of music.
Even if you've being playing together for years, there'll always be something new. You're constantly back phrasing, front phrasing, singing faster, singing slower.
A friend of mine introduced me to Thurston Moore because she thought I would like him. He was playing with the tallest band in the world, the Coachmen. They were sort of like Talking Heads, jangly guitar, Feelies guitar. Anyway, it was love at first sight. His band broke up that night. And we started playing.
Amy Winehouse was not a person I ever met, and I can't say that I am overly conversant in all of her music. I do have her albums, and years ago, when I first heard her sing, I thought she was extraordinary. The tone of her voice, her phrasing, her raw appearance - these qualities were extremely captivating to me.
But then there was Hendrix, man. Jimi was really the last cat to freak me. Jimi was playing all the stuff I had in my head. I couldn't believe it, when I first heard him. Man, no one can ever do what he did with a guitar. No one can ever take his place.
I started playing ukulele first for 2 years from age 9 to 11 and got my first guitar and got inspired by blues I heard on the radio that turned me on and I started learning myself.
..When I first heard Elvis' voice, I knew that I wasn't going to work for anybody ... hearing him for the first time was like busting out of jail
I'm glad I get singled out for my slide guitar-playing, which isn't that difficult to do. I didn't take guitar lessons, but I just love the way it sounds, almost like the human voice.
After months of playing air guitar to 'Free Bird', what really got me into guitar was watching a documentary about Jimi Hendrix and picking up the Woodstock soundtrack. Listening to his version of 'Star Spangled Banner' and 'Purple Haze.' My brother played acoustic guitar and, idolising him, I thought, 'I'm going to get a guitar.'
My aunt Maxie had a plastic guitar in her closet, and I started playing that, going nuts on it. I went to stay with my dad, and he saw how much I was into it, and I put my first guitar on layaway. It was a Kay Starter Series guitar and Gorilla amplifier.
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