A Quote by Lucinda Williams
Some of their best songs don't have bridges and choruses. So that made me think I should trust my instincts. My songs were okay, I figured. I didn't need to change anything.
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When we were writing for Panic whether we knew it or not, having that name over the songs we were trying to do made me second guess things and change things. I started to go against my instincts.
In my culture we had songs for everything, and that's lost now. There were songs for when people were born, when they died, when they sowed the field, baked bread and they're gone now mostly. I think we need these songs today. One of the reasons people connect to Wardruna in such a personal way is because there is a need for these songs and for that kind of connection to the nameless. Call it nature, god whatever.
In the 1960s, songs were an integral part of film narration. I have been fortunate to have had some of the best songs of the era picturised on me, some of which gave me an opportunity to use my skills as a dancer too.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
When I made 'Feed tha Streets,' those were the only 17 songs I had made, period. There was no cutting songs out or adding other songs in.
Obviously I got known for some other songs early on, and some of those were rock'n'roll songs. Some of them were melodic pop songs. And I've done lots of different things, as you know, but every so often I get drawn back.
I used to think that my songs were the best things that I would leave behind me. And I definitely think my kids are now. For starters, they're writing better songs than I was at their age.
In some songs, like propaganda songs-and don't get me wrong, I love some propaganda songs. They're some of my favorite songs in the world. It's just that I don't enjoy writing it.
Most songs have bridges in them, to distract listeners from the main verses of a song so they don't get bored. My songs don't have a lot of bridges because lyric poetry never had them.
I like albums where all the songs are written in one go. If you're trying to create the number-one album with the best songs ever, I get why you'd want to write for three years and pick the best ones, but for me, I'd rather hear a group of songs that are all expressing a state, or time of your life. I think it's more that.
It is amazing when you try and write songs without an instrument. It kind of forces the melody to be honed it. It has to be good. A lot of what I think are my best songs were made without an instrument.
That's what is so great about being able to record a 13-song album. You can do a very eclectic group of songs. You do have some almost pop songs in there, but you do have your traditional country, story songs. You have your ballads, your happy songs, your sad songs, your love songs, and your feisty songs.
Every song that we wrote for the first album made it. We didn't think about writing a bunch of songs and picking the best ones. We had to just make the best songs we ever wrote.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
What I'm trying to do is tell good stories through music. I think some of the best songs, the best country songs, are stories.
When I was performing the songs on 'Kiss Land,' it was a great singalong. But there were moments where I realized some parts were catchier than the others. There's maybe two choruses on all of 'Kiss Land.'
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