A Quote by Lucinda Williams

I mean, whose songs don't focus on tragedy and loss? — © Lucinda Williams
I mean, whose songs don't focus on tragedy and loss?
Now, we have inscribed a new memory alongside those others. It's a memory of tragedy and shock, of loss and mourning. But not only of loss and mourning. It's also a memory of bravery and self-sacrifice, and the love that lays down its life for a friend-even a friend whose name it never knew.
American folk songs were about tragedy, right? They were about suffering and tragedy, and a lot of my songs are about that, even though they were misunderstood.
That does not mean we won't experience the tragedy of the loss of some American lives. We will have an opportunity to instill a democracy in Iraq which will be an example and perhaps force other nations in that region to move in the same direction.
In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
The weird, weird thing about devastating loss is that life actually goes on. When you're faced with a tragedy, a loss so huge that you have no idea how you can live through it, somehow, the world keeps turning, the seconds keep ticking.
Rather than focus on the negative aspects of change, which is loss, I focus on the adventure of it and say "What's next?"
My hope and my intention was that people would experience the tragedy of what Chernobyl was in every regard: a scientific tragedy, a political tragedy, an emotional and personal tragedy, all of that.
I also tried to focus on songs that Billie Holiday wrote, songs that she had a hand in shaping, like "Strange Fruit"; songs that were written for her or songs that she wrote herself, like "Fine and Mellow" or "God Bless The Child."
I like to make up songs. And it's my opinion that all these songs mean a lot to me, but that doesn't mean I think everything needs to leave the house. If it helps me through my life and doesn't bore anybody in theirs.
My aim is always catchy songs, or songs with meaning and I want to write music people can relate to, about things anyone could go through, just real, honest music... songs that mean something, songs that are inspired by true life events.
For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.
Geoffrey Tozer's death is a national tragedy. For the Australian arts and Australian music, losing Tozer is like Canada having lost Glenn Gould, or France, Ginette Neveu. It is a massive cultural loss. The kind of loss people felt when Germany lost Dresden.
I have amassed an enormous amount of songs about every particular condition of humankind - children's songs, marriage songs, death songs, love songs, epic songs, mystical songs, songs of leaving, songs of meeting, songs of wonder. I pretty much have got a song for every occasion.
There are many kinds of loss embedded in a loss - the loss of the person, and the loss of the self you got to be with that person. And the seeming loss of the past, which now feels forever out of reach.
I'm basically in every band I ever was in, and the songs, I still mean them all. I don't take anything back, so I do look after them to some degree. But my main focus is on what I'm doing now.
Just because you're a star on television doesn't mean that you can be a music phenomenon or an artist. You have to have the material to back it, and it's all about hit songs. I can name you every "Idol" winner and why they didn't go on to have success - their songs. The ones who have - their songs.
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