A Quote by Lucinda Williams

I write first for myself as a therapeutic process, to get stuff out and to deal with it. — © Lucinda Williams
I write first for myself as a therapeutic process, to get stuff out and to deal with it.
Well we never set out to write a concept album. I've always used song writing as a therapeutic release so in that process, I just do my best to be honest with myself and look inside myself and whatever comes out usually just reflects or depicts what I'm going through in my life at that time.
I do find it therapeutic, writing about stuff that was frightening and painful as a child, and managing to see it from an adult's point of view. To get it out of the closet onto paper, metaphorically speaking, is therapeutic.
I write about what is getting to me at the time, about the things you need to talk about, but which would sound silly if you sat down and told them to your friend. I only write for myself, to get my emotions out. It's self-therapeutic.
The writing is therapeutic for me, it's an introverted process, I'm really inside my head. It's a really obsessive process. The live show, though, is the opposite. It's an extroverted process. It pushes me to connect with people, and so it pulls me out of my head and just pulls me out of myself.
I do write about people who are complex and are striving with something and can't quite get past their own stuff, which would be a proxy for myself because that's what the deal is with me.
When I write, it's purging for me. It's a therapeutic process.
I usually don't write about my life right when it happens. I process it, and I store it away. Then, when I get in the mood I pull the stuff back out.
I don't worry about being exposed. When I'm writing about myself I think about myself as a character. There is a ton of stuff going on in my life that I don't write about. If I need to write that stuff down, I write about myself in my diary.
I tend to write songs critiquing myself. The best way for me to deal with stuff is to write a song about it... That's not to say all my songs are like that.
I'm finding things out about myself as a person - as a writer - as I write, and so are the people who listen to what I do. But they have this additional aspect of how they take the stuff that I do, and so it broadens the work and it creates this strange connection. It's really a way of strangers communicating through this third thing, which is a body of work. But really, I know it's a cliché to say I write for myself, but I write for myself.
I can't write anything for myself. I can write when I hear like [John] Coltrane play something; I used to write chords and stuff for him to play in one bar. I can write for other people, but I don't never write for myself.
If you want the best things to happen in corporate life you have to find ways to be hospitable to the unusual person. You don't get innovation as a democratic process. You almost get it as an anti-democratic process. Certainly you get it as an antithetical process, so you have to have an environment where the body of people are really amenable to change and can deal with the conflicts that arise out of change an innovation.
The process of making music is very therapeutic; it's late at night and I'm wearing headphones a lot of the time, so it becomes a way of zoning out and engaging with my thoughts. It's a solitary environment and process.
I journal a lot for nobody but myself. Just to get my thoughts out and to clear my mind. That's very therapeutic to me.
Music is so therapeutic for me that if I can't get it out, I start feeling bad about myself - a lot of self-loathing.
I've trained myself to write the first two or three hours I'm awake simply by doing it every day. If life stuff interferes with this sacred time, I get very cranky.
This site uses cookies to ensure you get the best experience. More info...
Got it!