A Quote by Lucinda Williams

Of course, I'm older now. I'm in a different place in my life than when I wrote the songs for 'Car Wheels' or 'Essence' or whatever. Different things were going on. — © Lucinda Williams
Of course, I'm older now. I'm in a different place in my life than when I wrote the songs for 'Car Wheels' or 'Essence' or whatever. Different things were going on.
Of course, Im older now. Im in a different place in my life than when I wrote the songs for Car Wheels or Essence or whatever. Different things were going on.
I noticed with older songs that I perform that I'm coming from a different place with them now...it mutates the vibe and even the meaning of the same words when you have a different spirit, if the person singing is different. I like that, to be able to sing an emotionally wrought song from a more centered place, or to sing an eager, youthful song from a more experienced place. It kind of colors the songs differently, and it keeps them fresh.
The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
The Beatles were in a different stratosphere, a different planet to the rest of us. All I know is when I heard 'Love Me Do' on the radio, I remember walking down the street and knowing my life was going to be completely different now the Beatles were in it.
As I grow older, what I find interesting is that I get experience with pain, different types of pain, and I start to see the lovely hilarity of life. Things that were once so crushing take on a different essence. I move through it at a faster rate. It's like traveling: it opens my eyes. My process is to allow myself to have it and to not judge myself or the situation too much, and then to create something with it.
At the end of the tour last year, I was completely fried. I felt my soul was begging me to give it a release. Two long trips to Costa Rica and to Iceland I've made were the best things I could have ever done for myself and you see it with the songs I wrote before I left and the songs I wrote after - there are two different Kips in there.
Identity is made up of lots of different things now. Different colors and patterns stand out at different times. Different instruments in the symphony of being are more distinct than others at different times.
To me, music shouldn't be ego-driven. When you go out on stage and play songs, it is. But when you're sitting in a room, writing songs, it's a completely different process. It's a completely different place. It's a creative place, a musical place. It has nothing to do with who likes what.
To be the best and stay there sweat is necessary. I'm older. Of course I'm older. That's the beauty of it. Sixteen years plus different level of wisdom. Different level of understanding. Different level of punishment. i want to live loooong after my records have fallen, long after my rings have tarnished. Whatever you got to do to make sure you chase your legacy. Every second of your life. How will you be remembered? How will you be remembered? Why wouldn't you fight for the greatest achievement ever? Leave your mark to endure forever.
There's something refreshing about going to work with a different group of dancers. There are different ways of moving, different ways in which the institution functions. There's a contrast from place to place, so the variety and the experience of working in a different place feeds me.
I've had two romances since moving to Las Vegas. One was with somebody 12 years older than me, and the other was the same age, and neither worked out. I know people still think of me as one of Hugh Hefner's girlfriends, and he of course was much older than me, but that was a whole different lifestyle and a different kind of dating.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
To me, the songs that I'm most thankful to have been a part of creating are the songs that are able to adapt and change over the years and that mean different things to you at different periods of time in your life.
Wars always evolve over time, don't they? Iraq/Afghanistan is different than Vietnam, and Vietnam was different than Korea, and Korea was different than World War One, and so on. Some things remain the same, of course - one side fighting another over ideology or a patch of ground - but there are some aspects of combat life which differ radically than their predecessors.
The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.
Each championship has felt different in its own way, I guess because I've been in different place of my life; I've gone through different things.
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