A Quote by Lucinda Williams

We just did a few takes of a song and just picked the best one. It was real organic and genuine. — © Lucinda Williams
We just did a few takes of a song and just picked the best one. It was real organic and genuine.
I believe short films are more organic. It's almost like doing theatre. It just takes few takes.
I just saw Twilight on TV, for the first time, a few days ago, and, when my song came on, I was just thinking that is so bazaar that I actually had a song in the movie.
I never thought that I would be creating my own 'cross-over' genre. What I did was very real and organic. I have worked in so many different styles so it all just came together.
I'm very conscious that a music video is beyond just a promotional tool for a song. It takes a song to the next level and it gives a song a new life.
The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
Mine would be Your Song, which is just one of his ones that I... I was actually glad the whole song wasn't played in this film and it's just a few bars of it because it makes me cry. You know, there are some songs that just make the hairs on the back of your neck just stand up? That's one of those for me - I put it on if I want a good cry.
But I'm able to just keep going, and that's the challenge. It's the next song. And then just enjoying the shows and people who come out to the shows. It's pretty organic, really.
Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
It's rubbish to say that just because it's organic, it's better. There's good organic, and there's bad organic. We should all be thinking about taste, not some stamp on the package.
I did get in a few fights in school. Kids threw around anti-Semitic slurs, not knowing necessarily what they meant. It was probably just something they picked up somewhere, as kids do.
When I can afford it, I'm very into organic food and I love going to restaurants that use organic produce and such. I think that it's a shame for everyone that, unfortunately, organic can be pretty expensive, so you just do what you can.
My mother played a little bit of the old time clawhammer. She tuned the banjo up and picked one tune for me, and it just become natural to me. When she picked it, I just started and picked it, too.
I know I get a real kick, an emotional charge, out of playing a song I haven't played for 10 years. It just takes you back to that point in your life.
John and I had a few meetings about what direction the sequel should take. I made some real insane suggestions. True to what you'd expect, he ignored them all and just picked up Halloween II where the original left off.
I don't see what's so good about being genuine. Clog dancing is genuine. Isn't being fake more of an achievement? At least it takes some inspiration. Like, sherbet dips, they're a special food. Think of all the additives and coloring and grinding that it takes to create a sherbet dip. But carrots? They're just out there, shrieking, "Hi, we're some carrots! Love us for it!" They never have to prove themselves.
I wish I'd known that apologizing is a sign of strength. I had the impression that if you apologize, it's a sign of weakness. I kind of picked up the message from my father, 'Real men don't apologize. You just do your best, and if you happen to hurt some people, that's their fault. You just go on. Don't apologize. That's a sign of weakness.'
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