A Quote by Lucinda Williams

I love Emmylou Harris's version of my song, 'Sweet Old World.' Her intonation is great. — © Lucinda Williams
I love Emmylou Harris's version of my song, 'Sweet Old World.' Her intonation is great.
Emmylou Harris is just the biggest influence of mine musically, her and Dolly Parton.
I love Dolly Parton, Emmylou Harris and Adele.
I listen to Emmylou Harris. She's my favorite. I don't know why, but I just feel more creative with her playing.
Sweet love! Sweet lines! Sweet life! Here is her hand, the agent of her heart; Here is her oath for love, her honour's pawn
I got to sing with Placido Domingo... I got to sing with Aaron Neville, who is one of my favorites. Got to sing with Brian Wilson, one of the great high tenors. And Ricky Skaggs, a bluegrass tenor. I'm also proud of my musical friendship with Emmylou Harris.
I learned a lot from hanging out with Emmylou Harris. One of the biggest pointers she gave me was that if you don't know the words, drop the consonants: that way, you'll hide the sound.
O thrush, your song is passing sweet, But never a song that you have sung Is half so sweet as thrushes sang When my dear love and I were young.
Song like a rose should be; Each rhyme a petal sweet; For fragrance, melody, That when her lips repeat The words, her heart may know What secret makes them so. Love, only Love.
When I do listen to music, I'm more prone to listen to the people I've always listened to: George Jones, Otis Redding, Alison Krauss and Emmylou Harris.
One of my great frustrations for 35 years at the paper was the fact I couldn't play a record for the reader when I was writing about an artist. How can you describe the beauty of Emmylou Harris' voice without hearing it, the sensual lilt of a Duane Allman guitar solo without actually hearing it, or the growl of Johnny Rotten without hearing it?
I want to play the Grand Ole Opry for sure. And I want to meet and play with people like Emmylou Harris and Vince Gill.
Her little shoulders drove me mad; I hugged her and hugged her. And she loved it. 'I love love,' she said, closing her eyes. I promised her beautiful love. I gloated over her. Our stories were told; we subsided into silence and sweet anticipatory thoughts. It was as simple as that. You could have all your Peaches and Bettys and Marylous and Ritas and Camilles and Inezes in this world; this was my girl and my kind of girlsoul, and I told her that.
I am fine with 'Puppy Love.' I hated it for a while. But I still sing it. I have a country version, a sexy version and a cheesy nightclub version. I am trying to infuse it with maturity. I will never escape that song. I will always be Mr. 'Puppy Love.'
Growing up, I remember I had several different 45 singles. But the first album I received was from a family friend: Emmylou Harris' 'Roses In The Snow.' It was so incredible. This record, to this day, is the favorite album of my life.
Mainly, when I ran into Emmylou Harris, that was it, you know? We could finish each other's sentences musically, and personally, too. We have a very shared, similar sensibility. And that was a friendship that really opened up a tremendous number of musical doors for me.
If you're recording the song on your four-track in your kitchen, when you finished writing the song, you're recording, and it's cool, and honor that. And maybe that's the version that should be released. And if you're recording the song again, it shouldn't be because there's a version you love that you're chasing. It should be because "You know what? I made a recording, but I don't love it emotionally." So, okay, then record again. And be in it and take advantage of the buzz and energy of "I'm getting to record right now!" It's such a beautiful and cool privilege.
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