A Quote by Lucius Annaeus Seneca
I never come back home with the same moral character I went out with; something or other becomes unsettled where I had achieved internal peace; some one or other of the things I had put to flight reappears on the scene.
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The scene I had just witnessed (a couple making love in the ocean) brought back a lot of memories – not of things I had done but of things I had failed to do, wasted hours and frustrated moments and opportunities forever lost because time had eaten so much of my life and I would never get it back. I envied Yeoman and felt sorry for myself at the same time, because I had seen him in a moment that made all my happiness seem dull.
The achieved West had given the United States something that no people had ever had before, an internal, domestic empire.
For me, that's one of the best validations as an artist. To have a stranger come up to you and say that something you've created and put out there in the world has had some sort of impact on other people's lives.
I've never been the big recording star I'd love to be some day. I've had lots of hits off and on through the years but I've never had the success of other artists - one hit after another back-to-back-to-back and big hits, where every song is going to be number one. I'm not greedy or nothing. I just want everything. Is there something wrong with that?
Perhaps, as we say in America, I wanted to find myself. This is an interesting phrase, not current as far as I know in the language of any other people, which certainly does not mean what it says but betrays a nagging suspicion that something has been misplaced. I think now that if I had any intimation that the self I was going to find would turn out to be only the same self from which I had spent so much time in flight, I would have stayed at home.
I had an opportunity to move to L.A. back in 1999 and start up a horse racing network of all things. At the time, I was younger and married but didn't have kids; so we thought, Let's just go to L.A. for a while and have fun, and we can always come home. One thing led to another; and once I was out there, I had my eyes opened to this other world and quickly got a home and gardens show and did a game show and then The Bachelor ended up falling into my lap in 2001. And 'the rest is history' as they say.
My past is my shadow, it follows me everywhere I go. Well, all those things come from when I had no other choice. They put my back against the wall. I do what I gotta do.
It creates community when you talk about private things and you can find other people that have the same things. Otherwise, I don't know, I felt very lonely with some of the issues that I had or history that I had. And when I shared about it, I found that others had it, too.
You don't realise how much you're holding onto until you start to let go of it. I had had loads of therapy and thought I had come to terms with who I am, but there's something in the process of writing that unlocks other experiences, other emotions and you have to be prepared for that.
I came back when I'd had a taste of other places and realized that I would never feel the same sense of connection to any place other than the Ozarks.
To try to regulate the internal affairs of a family, the relations of love or friendship, or many other things of the same sort, by law or by the coercion of public opinion, is like trying to pull an eyelash out of a man's eye with a pair of tongs. They may put out the eye, but they will never get hold of the eyelash
We actually tried to put in [Kung Fu Panda 3] all the things we wanted to put into the first two films. We're all the same people who've been working on the other films and we all had things we couldn't do, and had to leave on the table. We just couldn't achieve them before. This time we have multiple new environments and different styles of animation.
I moved back home after graduating from Virginia Tech. And that's when reality hit. I knew I had to do something. I guess it doesn't click when you're that young. I was 19 and had finished college. I got home and had to figure out what I was going to do.
I was always interested in music, I felt it was time to do it, coming out of the punk scene [1979]. I thought it was ideal that anyone could just put together a group and make it work. Then, of course, it became a little more detailed after starting it and realizing that it was something serious, not just a one-off situation. I had to put a lot more into it. Also I did it to get a lot of things out of my system, things that had been put there while I was growing up in my family. A sort of exorcizing of demons.
What I loved about [The Other Woman] movie was the same thing. It was three women who would never have come together for any other reason except that they had something in common which was this common cause, and that's really the feeling that I wanted this movie to have. It was a huge influence for it.
There might have been a hundred or a thousand life-bearing planets, had the course of evolution of the universe been a little different, or there might have been none at all. They would probably add, that, as life and man have been produced, that shows that their production was possible; and therefore, if not now then at some other time, if not here then in some other planet of some other sun, we should be sure to have come into existence; or if not precisely the same as we are, then something a little better or a little worse.
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