A Quote by Lucius Shepard
A Death at the White Camellia Orphanage tells of a young boy's travels through the black heart of Depression American and his search for light both metaphorical and real. Writing with a controlled lyrical passion, Marly Youmans has crafted the finest, and the truest period novel I've read in years.
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Yes, you have people shouting racist abuse and throwing bananas on the field, and there are issues regarding the number of black coaches and managers in the game, but which other industry allows a young black boy the exact same opportunity as a young white boy?
My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.
Part of what I am dealing with, with this blackness, is asking the question, "Where are those black people, who are as dark as the description of a young black boy that Solomon Northup gives in 12 Years A Slave?" He describes the young black 14-year-old boy as "blacker than any crow." You have to question if he is using that metaphorically or as a descriptive?
White folks have controlled New Orleans with money and guns, black folks have controlled it with magic and music, and although there has been a steady undercurrent of mutual admiration, an intermingling of cultures unheard of in any other American city, South or North; although there has prevailed a most joyous and fascinating interface, black anger and white fear has persisted, providing the ongoing, ostensibly integrated fete champetre with volatile and sometimes violent idiosyncrasies.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
What stirs lyrical poets to their finest flights is neither the delight of the senses nor the fruitful contentment of the settled couple; not the satisfaction of love, but its passion. And passion means suffering.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
Angry Black White Boy is bananas! Actually, it's a banana split with razor blades in it. Adam Mansbach is the white Richard Wright, and Angry Black White Boy is our generation's Native Son.
Utopian fiction is really boring. I had to read a lot of it, and it's not that much fun. But they're fascinating to me as historical documents. Cabet [Icaria's founder and author of the utopian novel, Travels in Icaria], is writing in the 1830s, and his idea of the perfect society reveals a lot about his time. But his book is uniquely bad.
There are a lot of young black girls who I meet in my travels who don't have a lot of self-esteem. So if I communicate to them that they're beautiful, no white person should find fault in that. It doesn't mean that young white girls aren't beautiful, because they are just as beautiful.
The Honorable Elijah Muhammad says that the black man in America, for the past 400 years, has been like a boy in the white man's house, begging the white man for a job, for food, clothing and shelter. And then after the white man provides him with all of these things, he turns around and get - has the nerve to get angry at the white man when the white man tries to control his life.
The American white relegates the black to the rank of shoeshine boy; and he concludes from this that the black is good for nothing but shining shoes.
I've been in situations where I was 'black boy white,' or 'white boy black.' People didn't know, "Is he the whitest black person in the world or is he the blackest white person in the world?"
The vision of Christ that thou dost see is my vision's greatest enemy . Both read the Bible day and night, but thou read'st black where I read white. His seventy disciples sent against religion and government .
Day just smiles at me, an expression so sad that it breaks through my numbness, and I begin to cry. Those bright blue eyes. Before me is the boy who has bandaged my wounds on the streets of Lake, who has guarded his family with every bone in his body, who has stayed by my side in spite of everything, the boy of light and laughter and life, of grief and fury and passion, the boy whose fate is intertwined with mine, forever and always. "I love you," he whispers. "Can you stay awhile?
Both read the Bible day and night, but thou read black where I read white.
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