A Quote by Lucy Alibar

Mostly I do Iyengar. I like anything that's hard enough to make me cry in class. I like to be pushed over my limit and broken down a little bit. — © Lucy Alibar
Mostly I do Iyengar. I like anything that's hard enough to make me cry in class. I like to be pushed over my limit and broken down a little bit.
I like to check out of reality for a little bit when I listen to music and kind of go somewhere, so I feel like the more broken-down acoustic songs tell stories to me the best.
When I was a little bit younger The strain I was under could make me cry. Now I'm a little bit older, A little bit bolder, Never so shy
I would have done anything for him. Maybe that was my sickness. We made love in nothing places and turned the lights off. It felt like crying. We could not look at each other. It always had to be from behind. Like that first time. And I knew he wasn't thinking of me. He squeezed my sides so hard, and pushed so hard. Like he was trying to push me through to somewhere else. Why does anyone ever make love?
With 'Duplicity', I was a little bit like, 'This isn't that hard of a movie.' This isn't like some huge brain trust of a movie. You gotta be a little bit awake to follow the plot, but it's really just a kind of light entertainment. It's like those Cary Grant movies, which are not meant to be anything other than diverting. In a nice way.
Another one of my favourite sayings is, you can't handpick your audience. I feel like I'm making music for people who think like me about music, and that takes a lot of different forms. I could never generalise - but I think if I were to generalise, I'd think that you would say that most of my fans are music lovers who are looking for something outside of the mainstream: maybe a little bit hard to pin down, a little bit hard to categorise.
I get bored doing the same activity over and over. In any one week, I could do a Pilates class, a yoga class, go to a gym, like a pump class, or do weights and then go for a run. Each day, I like to change it up a bit.
My journey has been up and down a little bit. Everything that has to do with success for me has sort of become a shock to me. You work so hard, you work so hard, and it happens; you're like, 'What? Wait, it's happening to me?'
And besides, I like to cry. After I cry hard it's like it's morning again and I'm starting the day over.
When I'm creating a character, it's a little bit like what my theater teachers used to tell me about Stanislavsky, like if you're using sense memory to do a scene - if you have to cry in a scene, you try to remember something in your life that made you cry and you use that in order to get the tears.
I think if I had just slowed down a little bit it could have a little easier. I multiplied how difficult it needed to be instead of just saying, fair enough. You don't have to make it hard.
I asked for very little from life, and even this little was denied me. A nearby field, a ray of sunlight, a little bit of calm along with a bit of bread, not to feel oppressed by the knowledge that I exist, not to demand anything from others, and not to have others demand anything from me - this was denied me, like the spare change we might deny a beggar not because we're mean-hearted but because we don't feel like unbuttoning our coat.
There are films that I've made that I like a little bit more than the others. But the films that I mostly watch, and see over and over again, are not my own.
I was keen on sports-that's how my nose got this way. It's not actually broken; the nose was just pushed up a little bit and moved over. It's an aquiline nose, quite Irish.
Your head's like mine, like all our heads; big enough to contain every god and devil there ever was. Big enough to hold the weight of oceans and the turning stars. Whole universes fit in there! But what do we choose to keep in this miraculous cabinet? Little broken things, sad trinkets that we play with over and over. The world turns our key and we play the same little tune again and again and we think that tune's all we are.
Because I don’t feel broken when you look at me. (Acheron) How could you feel broken? (Tory) I was shattered as a child and thrown away, like a piece of trash no on wanted. But you don’t treat me like that. You see in me the human bit and you touch that part of me. You make me feel whole and wanted. (Acheron)
I'm short and I have a big appetite. I can't do nothing just a little. It's the same with anything I do. It's very hard for me to love a little, have sex a little, to eat a little. I like to do everything, and I like to do it all the way that I want to do it.
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