A Quote by Lucy Boynton

It's impossible not to be aware of the Ryan Murphy empire, but he is so kind and funny, and you feel in such safe hands every day. — © Lucy Boynton
It's impossible not to be aware of the Ryan Murphy empire, but he is so kind and funny, and you feel in such safe hands every day.
I want to be in 'Funny Girl.' And I want Ryan Murphy to direct it.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.
I feel like I've accomplished a lot, but for me, it's about pushing to the point where I can be Mark Walhberg, Ryan Murphy, or Shonda Rhimes. I want to be at that table in terms of bringing new voices in.
The suit was so clumsy, being pressurized, it was impossible to get two hands comfortably on the handle and it's impossible to make any kind of a turn. It was kind of a one-handed chili-dip.
When I talk to Ryan Murphy or Ali Adler about my past or things in my personal life, occasionally pieces of that will end up in the script, and I think that's true of everybody. It's true of that entire writer's room, certainly of Ryan and Ali. I think that he writes really well for actors, for his actors, and he writes to their strengths. I always feel very well taken care of with him.
Right around 11 or 12, when I saw Eddie Murphy's standup special 'Delirious,' and I taped it on a VHS tape - I think I watched it every single day. I lived and breathed Eddie Murphy for that whole year.
My big brother Ryan was funny and unfailingly kind. He was one of the most talented musicians you might encounte, and had a prodigious ability to pick up any instrument and play it by ear within the span of a single day.
I'm obsessed with everything Ryan Murphy does.
Ryan Murphy is one of the best at creating universes.
I was feeling safe. Not the kind of safe where you know there are still bad things howling outside the door waiting to get in. No, it was the kind of safe where you sink down in your bed at the end of the day and know you can go to sleep and everything is going to be the same tomorrow.
I was raised to believe that you're safe in God's hands. But I don't feel safe with myself.
Caution is the key to safe cycling. I'm aware that cars are bigger than me, but I feel quite safe. I'm in control, liberated and free, when I'm on my bike.
There's no set like a Ryan Murphy set, mainly because it feels like he's built an entire world. He's so thoughtful and meticulous, and every detail is thought about and cared for.
Ryan Murphy's a brilliant director to work with who's very fun and creative.
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