A Quote by Lucy Bronze

I like where I lived in Alnwick; I always tell people about it. There's so much to do there, even though it's so small and quaint. — © Lucy Bronze
I like where I lived in Alnwick; I always tell people about it. There's so much to do there, even though it's so small and quaint.
When I was writing 'Trick it,' the inspiration for this song came out of nowhere! The song is about the little white lies you tell to people you care about, even though you can always tell the truth.
When I was younger, I lived on Hawai'i, in the small town of Kohala. It was beautiful there! There were the trees and rolling green hills. It was beautiful and quaint, but at the same time, I always wanted to just venture out.
What we're really trying to tell, even though it's very much a genre show, is a very human story. Even in this heightened situation, it still comes down to people being people, and dealing with people as people. It really is about the seven people in that town.
It always takes a man that never made much at any thing to tell you how to run your business, though. Like these college professors without a whole pair of socks to his name, telling you how to make a million in ten years, and a woman that couldn't even get a husband can always tell you how to raise a family.
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
The primary social contract between the people of the United States and their government - quaint though it might seem to even mention it at this point - is that ours is to be a government 'of the people, by the people, for the people.'
Even though I never really had to pound the pavement as an actor, I always worked really hard. But, at the same time, I always felt like people thought that I didn't have to struggle even though I was struggling.
China was not at all what I expected it to be. I had an image of China as a very quaint and mysterious and peaceful place. Well, it's quaint and mysterious in some respects, but not in the ways I had thought. The people are mysterious. They don't often tell you what they feel.
I don't want to tell President Obama how to make a speech. He's a much better speech maker than I am. But I think always to tell the truth in a sometimes blatant way, even though it might be temporarily unpopular, is the best approach.
There's this belief sometimes from people who haven't lived the trans experience that's just like, 'You should tell everyone. You owe it to them.' But the truth is, you don't know how people are going to respond. And many people don't even have the language to talk about what their trans experience is, or what it could be.
But if you'd only ever lived in small wooden house in the middle of wilderness, it sounded much better. Especially because it provided intense community, and these people lived in incredible isolation.
Even though the popularity and the fanbase is much much greater, and more people have heard about me through things like the Grammys and the Ivors and touring and word of mouth, it doesn't reflect in the sales of the record and doesn't go into my pocket.
Even though I'm an actor, even though I know a little bit about film, I very much view things as an audience member. For me, whether it's TV, film, theater, whatever, it's a big movie, a small movie, whatever it is, I look for the truth in it. I look for the honesty. I just look for if it feels honest and real to me.
I lived in New York for seven years, although I was always in denial about it. Even though I had an apartment there, I always pretended I was just visiting. I do love New York. But I'm a Londoner at heart.
The gossip mill on tour is always turning. I have to be a little careful about what I tell guys who I don't consider close friends, because even though they might not spread it to other players, they'll usually tell their wives. And once the wives get it, it's gone.
When I was writing 'The White Tiger' I lived in a building pretty much exactly like the one I described in this novel, and the people in the book are the people I lived with back then. So I didn't have to do much research to find them.
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