A Quote by Lucy Bronze
I think it's a thing in France, and I think you see it a little bit in Spain with Atletico: the countries and the cities just absolutely love their football. It's not because they're just marketing geniuses; it's because they've made it simple.
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I like being on stage. I love seeing new cities and returning to cities that I love. It can be a little tiring because you don't sleep in your own bed, you're in a different hotel every night and the hours are really strange, which, for me, kind of works out because I'm a bit nocturnal in general. I think for some people it might be tougher than for others because you're usually not getting to sleep until 3 or 4 in the morning at the earliest.
I don't really want to just play the girlfriend or the love interest. I get so many scripts like that, and - not to moan, because I'm really fortunate - but I just look at those scripts, and my heart sinks a little bit because I think there's so much more to us than that.
I had lived in France before graduate school, but because of Spain, I had a lot of the characters go and spend a good bit of time in Spain.
What basically happens is that when a company becomes great, and I'm being a bit rude here, people think they're some kind of genius. So now we can move into all sorts of other businesses because the net bottom line is, it's because we're just geniuses. They become overconfident and expand too far.
I love Chicago - absolutely love Chicago. I mean, I'd much rather go to Chicago and do a play or a musical than New York, honestly. Because just probably for reasons that are obvious to you. It's just a little bit - it's a nicer, easier city.
Even going out to get milk becomes a little bit challenging, just because there is a whole entourage that then travels with me for this simple thing. So I tend to try and find ways not to inconvenience a whole raft of other people, so it changes my mindset a little bit.
I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.
I think you have to have a little bit of a screw loose to think that you can [become an actor] because the odds are so against you. I was just crazy enough to think I could do it.
I love dark humor. I love things that are so grounded in life, but just happen to be just a little bit twisted because my sense of humor is a little bit twisted. I love jokes that shouldn't be funny, but are. Those types of things just really make me laugh.
Stand-up comedians say that anyone in the audience can be funny, but people paid to see us because we're just a little bit funnier. In the same way, I think anybody can play music - in fact, I think everyone has music in them, but some of us can do it a little better.
I remember thinking when I was younger - we used to take holidays to Spain and France, and I just thought I was never going to get further than Spain or France. I really didn't when I was younger. And then I started auditioning for 'Narnia,' and the first thing when I got the part was go straight to New Zealand, halfway around the world.
Not caring what people think about you is so much easier said than done and I think that it's easy to be in school and kind of compare yourself to everybody else, you might think that you're weird because some people don't like you or because you just dont feel like you belong in your own skin in your school and I think that it's important to realize that there's absolutely nothing wrong with you you're worth so much. As time progresses you'll see that and you have to learn to love yourself and accept yourself because its your skin
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
I think we should SHUT UP, stop talking about negotiating anything, just be quiet and let things sort themselves out a little bit, and see what happens. Maybe there will be one or two other countries that think what Britain's done, we can do, and it seems the right way to go.
Writer-directors are a little bit more liberal, rather than having just the writer on the set, because I think sometimes the writer becomes too precious with the words. If you're a writer-director, you can see what you're doing and see your work in action, so I think you can correct it right there and still not compromise yourself.
I'm not going to lie: I fell out of love with football for a little bit because I had some good performances but then just didn't get the chance to play on.
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