A Quote by Lucy Carless
Whenever I start an acting job and talk to my fellow actors, and I tell them I am from Nottingham, they guess I'm from the Workshop, it's so well known.
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I enjoyed acting at school and went to an acting workshop for kids in Nottingham. It was twice a week after school and free to go to - ITV subsidised it. Every now and again, a casting director would turn up. 'Peak Practice' became a rite of passage for us. It was the first job I had.
When I went to Bollywood and used to give actors instructions, many of them would tell me that I am acting out exactly like Mohanlal. I learnt from one of the best actors in the country and I am proud of that.
Whenever I think of the high salaries we are paid as film actors, I think it is for the travel, the time away, and any trouble you get into through being well known. It's not for the acting, that's for sure.
Yeah as the director I consider myself to be the coach, and my actors are my players. So I have to show them how committed I am, but I also want to lead by example. I think whenever you make a film, you start out alone, and then slowly start - you have to be a magnet. You have to attract people to you, to the project.
There are, I think, three countries left in the world where I can go and I'm not as well-known as I am here. I'm a pretty big star, folks - I don't have to tell you. Superstar, I guess you could say.
It`s always been the same for me. I`ve always enjoyed acting, and I really love good actors; they`re such unique characters. I wish I could tell stories well, or tell a joke. Any time someone can do that it`s so satisfying. Sean Penn, for instance, is a really good actor, and he can tell a good joke or story. But it`s hard to do. Most actors have special talents that make them attractive, but they`re often odd characters.
Whenever I meet people for the first time, I get them to talk for ten minutes. Then I size them up from the exact opposite perspective of all they’ve told me. Do you think that’s crazy? “No,” I said, shaking my head, “I’d guess your method works quite well.
I already love acting and I love actors, so being able to communicate with actors and to bring performances out of them, and to tell a story and aid them, is really exciting for me.
I always feel that I'm sort of co-directing with my fellow actors. And you can tell when something's going on that really interests them and they approve of. And then you can sort of tell when there's not.
I've always thought that when anyone receives an award for acting they should always thank their fellow actors, because the only way you're going to deliver your best performance is when you have other good actors on the set supporting you and being very present for you even when the camera is not on them.
I love talking about acting. I'm just such a fan of actors and filmmakers, and I try to choose roles where I get to talk to great actors about acting and learn.
I danced from the age of three, so I was always going to do something performance-related. I got into the Television Workshop drama group in Nottingham when I was 11 and went there for ten years.
As a director, you have to know what actors are doing. You're the one telling them what to do. The actors' job is to come prepared to the set, but sometimes, if they're beginning actors or people who are non-actors, you have to teach them how to act.
I am always who I am, and anyone who's known me forever will tell you that. I guess there's enough of a child in me that that's important.
Well, well, perhaps I am a bit of a talker. A popular fellow such as I am -- my friends get round me -- we chaff, we sparkle, we tell witty stories -- and somehow my tongue gets wagging. I have the gift of conversation. I've been told I ought to have a salon, whatever that may be.
I've stopped showing actors what to actually do. I rather just talk to them about it. Then I usually play music. That's a great way to convey inner emotion, bring the power of style and acting together. That's really what it is, very good acting without talking.
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