A Quote by Lucy Dacus
When I finished reading '100 Years of Solitude,' by Gabriel Garcia Marquez, I got really sad. I thought, 'This will never happen for me, for the first time, ever again.' Then I opened 'Beauty Is a Wound.' It's a completely different story and writing style, but it has a similar place in my heart now.
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Gabriel Garcia Marquez's 'One Hundred Years of Solitude' is such a powerful book, and 'Love in the Time of Cholera' is so strangely, brilliantly optimistic.
'One Hundred Years of Solitude' convinced me to drop out of Harvard graduate school. The novel reminded me of everything my Ph.D. program was trying to make me forget. Thank you, Gabriel Garcia Marquez.
For me, there's nothing better than getting immersed in a sprawling, epic, multi-generational family saga, and 'One Hundred Years of Solitude' by Gabriel Garcia Marquez is the most sprawling, epic, and multi-generational of them all.
I adore gelato; it's a pleasure I shared for years with my friend Gabriel Garcia Marquez.
If I had to read only one author, it would be Gabriel Garcia Marquez because I love the mystical, magical quality of his writing.
No one wrote better about the sin of pride, the corruption of power and the redemption of love. I will miss you, Gabriel García Márquez.
I think there are people who are born storytellers. I think of someone like T. C. Boyle or Gabriel Garcia Marquez. I think really, without putting any pejorative on it, they're like carnival barkers, 'Come into the tent, and I'll tell you this story.'
When you're touched by magic, nothing's ever quite the same again. What really makes me sad is all those people who never have the chance to know that touch. They're too busy, or they just don't hold with make-believe, so they shut the door without really knowing it was there to be opened in the first place.
I always thought books were just the canon, things I couldn't identify with. And then I was introduced to really amazing multicultural literature - it was all things I was trying to do unsuccessfully in my poetry. It really just changed everything. I was introduced to authors like Sandra Cisneros, Gabriel García Márquez, Junot Díaz, and a lot of African American literature, as well.
I do not read the works of Salman Rushdie, I write them. By the time I have finished writing them all I can think of is never reading them again. It's so deep, your involvement with a book, that once it's finished, then you are really done with it.
It's funny - for a long time, I didn't know I was writing a book. I was writing stories. For me, each story took so long and took so much out of me, that when I finished it, I was like, Oh my gosh, I feel like I've poured everything from myself into this, and then I'd get depressed for a week. And then once I was ready to write a new story, I would want to write about something that was completely different, so I would search for a totally different character with a different set of circumstances.
Gabriel Garcia Marquez is one of my all-time favorite writers. I feel spiritual when reading his words, even though they're translated. I wish desperately that I could read it in its original language. I already feel like I'm going to church when I read him; imagine if I could read it in the original.
It wasn't until I was 23 and got married to a guy who was really bookish that I got completely hooked on reading and writing again. He had so many paperbacks, I didn't have to buy a book for four and a half years.
The influence of John Hughes is fully felt in the melodrama 'Donnie Darko.' This first film written and directed by Richard Kelly is a wobbly cannonball of a movie that tries to go Mr. Hughes one better; it's like a Hughes version of a novel by Gabriel Garcia Marquez.
How will I ever get out of this labyrinth!" In reality, "How will I ever get out of this labyrinth!" were probably not Simon Bolivar's last words (although he did, historically, say them). His last words may have been "Jose! Bring the luggage. They do not want us here." The significant source for "How will I ever get out of this labyrinth!" is also Alaska's source, Gabriel Garcia Marquez's The General in his Labyrinth.
I opened my mouth and kissed you then, the first time all night, attacked you and surrendered completely, and let’s get out of here. I’m ready, I’m finished, let’s not break up, no, no. Take me home, my boyfriend, my love.
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