A Quote by Lucy Dacus

I really enjoy navigating the business aspect of having a band, and there is a great amount of instinct. You don't wanna work with people who make you feel weird, even if they're super qualified.
It's the disease of thinking that a having a great idea is really 90% of the work. And if you just tell people, 'here's this great idea,' then of course they can go off and make it happen. The problem with that is that there's a tremendous amount of craftsmanship between a having a great idea and having a great product.
You increase your self-respect when you feel you've done everything you ought to have done, and if there is nothing else to enjoy, there remains that chief of pleasures, the feeling of being pleased with oneself. A man gets an immense amount of satisfaction from the knowledge of having done good work and of having made the best use of his day, and when I am in this state I find that I thoroughly enjoy my rest and even the mildest forms of recreation.
I super strongly identify with marginalized communities. I'm not at all religious, but I feel super, super Jewish. I can't even describe the feeling, but it actually feels really similar to being gay, the kind of kinship that you feel with the LGBTQ people. That same sense of community is there with Judaism.
I enjoy singing the songs a certain way, but I don't even know how the writing even began. To me, it's work that is kind of invisible; it's a weird kind of work to have because you're not working, but it's not not work. Formulating your thoughts and making a melody that's catchy enough for people to listen to what you're saying is really hard!
I take the literary or textual aspect really seriously and I really enjoy writing weird album titles. I did a PhD; I enjoy writing.
You're better off owning 30 percent and having two amazing partners who compliment you and are equally as driven as you are than having 100 percent and only having one aspect of it, unless you're a super genius who is creative and business-minded at the same time.
To do business with a friend is difficult. The business itself is so stressful, so if you're havin' a bad day you can easily take it out on somebody, and then you takin' it out on somebody can easily turn into a blowup. It's weird, because you might really get to know a person by doin' business with them, then you probably decide you don't even wanna be around them, and that can really launch it off.
Personally, the message that I would like to convey to everyone is just that life is really great and you can do whatever you want with it. That's what I feel like I've gotten out of my experience with the band, because I have done so many amazing things that I never thought I would get to do-and I don't really feel like I'm any more qualified than the next person. I feel like people should take their goals seriously and do exactly what they want, because they can.
It's interesting, there are a lot of similarities with being in the music business or being in a band, where a lot of it is business work you've gotta do, like emails. It's weird, I don't feel like I'm in charge.
Every band is different just because of the different combinations of people really are super unique to every band. The way you work together and the personalities that are being brought to the table. Our band is definitely the best combination of personalities I've worked with so far.
What does surprise me, though, is the amount of attention this band [Guns'n'Roses] has garnered 11 years after the original lineup broke up. That's an interesting phenomenon. It was even interesting back in the day. I mean, [we were] this glorified garage band. It was a great band, but it was not the kind of band you expected to become what it has.
You need an immense amount of luck and an immense amount of perseverance to even be on the playing field for success on a grand scale. You work as hard as you can for ten years so you finally have a chance to be lucky - It's really rare that somebody gets lucky. It's usually a combination of a lot of talent, a lot of hard work. People that get lucky also tend to be really great looking.
One thing I've always been really proud of about our band is that we've done what we wanted to do, what we enjoy doing, and we've been really lucky that people have responded to it the way that they have. As long as we continue to really enjoy what we do and make decisions with integrity, I'm hoping people continue to respond to that.
No matter what you're doing, whether you have a business with someone, a band with someone, when you feel confident that your idea is going to be embraced, and even if it isn't, that everyone is going to work on it as hard as they can, then that's a great thing.
The first aspect of a business that you need to make it work well is money. Once the money aspect is flowing, you can freely work on other aspects.
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
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