A Quote by Lucy Dacus
Yo La Tengo were a major inspiration for me because they're one of the first bands that I got into on my own, separate from my parents, when I was in high school. I have all their albums. That's the place we'd like be in someday.
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There are bands that I am friends with, who will invite me up on stage. Like Les Savy Fav, who have had me on stage, and I have played on their record. There are a couple of bands like that. Yo La Tengo has invited me to play with them.
That Yo La Tengo record, 'Painful,' has got some real awesome, noisy, mellow heartbreakers.
I didn't have drama in high school. So when I graduated high school and started at Wayne State in Detroit, I told my parents I was going to major in theater. And they were like, 'OK. Why? You've never done it.' But, it was just what I wanted, and they came to see my very first show and, from then, completely supported me.
I'm a slow learner. When people are so talented or facile at picking up an instrument and playing covers, like Yo La Tengo, I admire that. But I could never do that.
I really love that 'I Can Feel the Heart Beating as One' Yo La Tengo record a lot.
My friend Phil Morrison directed a lot of my favorite videos back in the mid- to late-90s - all the Yo La Tengo videos that were funny, a Juliana Hatfield video. He was such an influence with me, and I wanted to do a video the way Phil used to do videos. I did that for Phil.
What was nice for me was that when I got to secondary school - like high school - I met many other Ghanaian schoolgirls whose parents were also born in Ghana and were raising them here. We automatically had a huge kinship that was amazing.
I don't really listen to the radio anymore, but some of the more contemporary people I like are Stereolab, Spiritualize, Yo La Tengo and Bedhead. There are other things too, like Pavement. They're a great band, with really good lyrics. But generally, I'm not overwhelmed by the state of indie-rock.
When I first got involved in the underground metal scene in '82, '83, there were only about five or six major Death or Black Metal bands around. There were so many other bands that were inspirational, that really helped.
I'm not saying to the kids yo drop out of school, education is the most important thing first and foremost. You know, my circumstances were a little different. I needed to work to help out so I couldn't be in school. Not only that, it was getting into trouble and all that s**t. I was getting into trouble more in school than I was out of school, so I had to just go ahead and make that adjustment, so I mean realistically I always tell everybody, in my case I don't got a high school diploma, but I have two Grammys so it kinda worked out best for me.
All my real heroes made instrumental albums. All my own career has been spent playing in bands, but I never forgot that dream of what inspired me to pick up the guitar in the first place.
My activities were centered around school and football and church and senior high fellowship, and I got together with a couple bands and started playing parties, proms, stuff like that. It was the music that really worked for me.
In high school, I listened to The Jam, stuff like that, a lot of English bands, really. And then I got into anarcho-punk bands that nobody had heard of.
The group disbanded prematurely in 1983, but its records made a sizable mark: Mission of Burma became a band's band; leaving noticeable impressions on the likes of Pearl Jam, R.E.M., Sonic Youth and Yo La Tengo.
School, for me, was not a place where you went to be educated, but a place where you got away from your parents for a couple of hours while they got some respite from you, and where you were able to see your mates.
When I was in high school, my parents had this power over me - if I ever lied or got caught doing something that I shouldnt be doing, then I would no longer be able to go to LA and continue to pursue the acting thing.
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