A Quote by Lucy Dacus

Headliners, no matter the genre, usually are a person or band who has an ethos. — © Lucy Dacus
Headliners, no matter the genre, usually are a person or band who has an ethos.

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It was a big deal for us to be on Ozzfest, especially as one of the main headliners and being the band that wasn't announced: the mystery band. We'd never played the second stage at Ozzfest, and all of a sudden we're on the main stage.
I love the horror genre for how cinematic it is. I gravitated, I think, initially, toward the horror genre because, of all the genres, I think it is the genre that is most friendly to the subject matter of faith and belief in religion.
I'm not limited by genre and it doesn't really matter what the genre is as long as the film is going to be new and have some real artistic integrity.
I think what people call genre is just a question of orchestration. So, for instance, with Punch Brothers, you look at that band and say that's a bluegrass band, when really it's an orchestration choice.
Good Charlotte are a band with punk values - they look it, they grew up on the music, and they believe in the punk ethos.
Economic systems work better when there's an extreme reliability ethos. And the traditional way to get a reliability ethos, at least in past generations in America, was through religion. The religions instilled guilt. ... And this guilt, derived from religion, has been a huge driver of a reliability ethos, which has been very helpful to economic outcomes for man.
I'm curious about other universes, and nonhuman elementals. For me it's still a very lively ethos. It's a kind of practice. It's an ethos that is very sustaining.
The beauty of the horror genre is that you can smuggle in these harder stories, and the genre comes with certain demands, but mostly you need to find the catharsis in whatever story you're telling. What may be seen as a deterrent for audiences in one genre suddenly becomes a virtue in another genre.
It doesn't matter which genre you're working in, you try to find an honest relationship within that space, and say if it's the romance genre, within that you have to find a story and characters that resonate with an audience.
I describe me sound as international: reggae, pop, rap, R&B all in one. I think I have my own style. I can't really even describe it. People say, "What type of genre is your music?" It's Sean Kingston genre. I have my own genre. No disrespect to no artist or dudes out there. I feel like I am my own person. I am doing my own thing.
I feel self-conscious for even having met so many other band people and artists, I don't want to be that artist that is only able to talk about themselves and their own band. I don't want to be that person. I'd rather just be quiet than be that person.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
For me, no matter what movie I make, no matter what the genre or the budget, they all have the same theme at their core: fear of death and happiness about living.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
It was kind of fun being the headliners.
There's always gonna be criticisms, no matter what movie you do, no matter what. You can't please everybody, and it doesn't matter what the genre is. There's always gonna be a positive to a negative comment.
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