A Quote by Lucy Hughes-Hallett

I think you learn how to write by reading an enormous amount, so then your memory is stocked with various constructions, various ways of shaping a paragraph, shaping a chapter.
I think of empathy as a set of cumulative effects, ideally - that it can be a force shaping your habits, shaping where you put your attention and then - if you're hard on yourself, in good ways - pushing you to translate that attention into action, on whatever scale.
The one eternal religion is applied to the opinions of various minds and various races. There never was my religion or yours, my national religion or your national religion; there never existed many religions, there is only the one. One infinite religion existed all through eternity and will ever exist, and this religion is expressing itself in various countries in various ways.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
Poor people can be greedy, too. It's just that they don't have any material resources. We need shaping of the souls as well as shaping of our institutions.
When I write for 'n+1,' I begin by doing a lot of reading, to try to convince myself I'm not stupid. Then I scribble down a paragraph here, a paragraph there, when a notion strikes. Then I see if I can arrange those notions in a way that yields an argument.
I've spent various periods of my career being thought of as various things, various degrees of substance and ideas.
You don't write a book. You write a sentence and then a paragraph and then a page and then a chapter. Looking at writing 400 plus pages or seventy thousand odd words is incredibly daunting, but if you just focus on the immediate picture - say, 500 words - it's not so overwhelming.
I think that it's worthwhile to explore the ways in which you write the person that's writing your plays as opposed to simply assuming that it's all a natural process and there's no design in it. Because your public persona is designed, to a certain extent, and you can have fun and profit at various times doing that.
The danger, then, is that materialism is not only shaping how we live but the way we think as well. It influences our consumer tastes and our preference for high-paying jobs, but it also alters our capacity to pray, the nature of our prayers, and the ways in which religious tutelage instructs our values.
I think being a woman in any business that's dominated by men, you have your garden variety pros and cons, where you learn how to focus and harness your various powers and weaknesses for better or for good.
Even under normal conditions, how we can distinguish various events, various experiences, and be able to reproduce it later is, of course, a very interesting question and, I think, one that we face in day to day life.
If you haven't learned to ride a bike by the time your peer group has, then suddenly it's an embarrassment and you'll avoid opportunities where you're expected to ride a bike. And then it starts shaping your behaviour. Reading is much subtler, but much more destructive if you have not - for whatever reason - learned to read by the time you should.
See yourself as a pioneer in a new world. We are not facing the end of the world, as some would have us believe, but the greatest adventure of our lives. We have the unique opportunity to write a new chapter in the history of humankind, to be active participants in shaping a new world.
Eggs are not only one of the highest quality sources of protein, but they come stocked with various vitamins and minerals as well.
Cricket is just something that I am good at, just like various people are good at various things. What's lucky is that cricket gets enormous publicity.
The story of this man who had killed a messenger and hanged himself would make interesting reading. One could almost write a whole chapter on him. Perhaps not a whole chapter but a resonable paragraph, at any rate. There was so much else to include, and one must be firm in cutting out details. He had already chosen the title of the book, after much thought: `The Pacification of the Primitive Tribes of the Lower Niger.'
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