A Quote by Lucy Larcom
A journal of the 'subjective' kind I have always thought foolish, as nurturing a morbid self -consciousness in the writer; and yet, alone so much as I am, it is well to have some sort of a ventilator from the interior.
Related Quotes
I keep threatening to keep a formal journal, but whenever I start one it instantly becomes an exercise in self-consciousness. Instead of a journal I manage to have dozens of notebooks with bits and pieces of stories, poems, and notes. Almost every thing I do has its beginning in a notebook of some sort, usually written on a bus or train.
It seems whenever I've had a method or what I perceived to be an intellectual groundwork of some sort - a kind of game plan - it's always been the most morbid failure.
Global consciousness is not an objective belief that can be taught to anybody and everybody, but a subjective transformation in the interior structures that can hold belief in the first place, which itself is the product of a long line of inner consciousness development.
I am not a self-help writer. I am a self-problem writer. When people read my books, I provoke some things. I cannot justify my work. I do my work; it is up to them to classify it, to judge.
Excessive sensibility is only another name for morbid self-consciousness.
Being alone has a power over me that never fails. My interior dissolves (for the time being only superficially) and is ready to release what lies deeper. When I am willfully alone, a slight ordering of my interior begins to take place and I need nothing more.
With Material for the Spine, I am interested in alloying a technical approach to the processes of improvisation. It is a system for exploring interior and exterior muscles of the back. It aims to bring consciousness to the dark side of the body, that is, the ‘other’ side, or the inside, those sides not much self-seen, and to submit sensations from them to the mind for consideration.
When one crosses over from an activity, or the verb, of writing or doing, and becomes a noun, like "a writer" I think that is an act of supreme self-consciousness that I've never, in effect, made. I write, but I don't like to think of myself as a writer. I think it's somewhat self-aggrandizing and pretentious. Now, I am a teacher.
The original 'Artist's Way' focused on the nurturing of the self. The 'Artist's Way for Parents' focuses both on nurturing the self and nurturing the children in our care.
All consciousness is consciousness of something: in thinking I am aware that my thought is 'pointing towards' some object.
The student should bear in mind that the very essence of consciousness is constantly to identify itself with the Not-Self, and as constantly to re-assert itself by rejecting the Not-Self. Consciousness, in fact, consists of this alternating assertion and negation - "I am this" - "I am not this." Hence consciousness is, and causes in matter, the attracting and repelling that we call a vibration.
I don't think I have ever really gotten Leopold Bloom's interior ramblings out of my head! I am sure that voice continues to inspire the walking consciousness in my work - that is, the way I carry on an interior monologue as I walk through this city.
In my own deepening understanding of myself I find my capacity to serve others is deepened as well. The better I am at self-care the more genuinely nurturing of others I am able to be.
I have never really thought of myself as a writer about religion. And I think one of the things that happened to me as a result of all that is that I think it did for some people, many people, obscure the kind of writer that I actually am.
I realized Michael was right. I mean, I am always writing in this journal. And I do compose a lot of poetry, and write a lot of notes and emails and stuff. I mean, I feel like I am always writing. I do it so much, I never even thought about it as a talent. It's just something I do all the time, like breathing.
But I often think we talk way too much in this society, that we consider verbalization a panacea that it very often is not, and that we turn a blind eye to the sort of morbid self-absorption that becomes a predictable by-product of it.
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