I love country music, but I find it very hard to take it seriously. I also think a lot of country music is sung with the tongue in cheek, so I do it tongue in cheek.
One of the things I'll always remember from my time with 'Black Mirror' is the sense of all the tongue and cheek, and very, very dark sense of comedy there, too.
Ian Fleming and Norman Felton were friends. 'U.N.C.L.E.' was basically a tongue-in-cheek 'Bond.' It wasn't quite as serious and dramatic as 'Bond,' nor did we have the budget for that.
I had a column for the 'Seattle Weekly' for five years, and there was one column that was called 'How To Be A Man,' and it was kind of tongue in cheek; it was really tongue in cheek. And I got a book deal from that column.
We thought Queen were quite tongue in cheek.
I play damaged people a lot. I'm a Cancer. And I say that tongue and cheek, but I wear my heart on my sleeve. I'm a very emotional woman.
I think moving from Ireland to Australia, you couldn't get a more different accent on the palate. The Irish accent is very muscular and involves a lot of tongue and cheek-muscle work, whereas the Australian accent is really flat; the palate is quite broad. They're at almost opposite ends of the scale, so I feel it was good training.
There's always this weird dark humor within a lot of Depeche Mode songs that people miss, tongue-in-cheek and also very British.
There was no working title for the album. The record-jacket designer said `When I think of the group, I always think of power and force. There's a definite presence there.' That was it. He wanted to call it `Obelisk'. To me, it was more important what was behind the obelisk. The cover is very tongue-in-cheek, to be quite honest. Sort of a joke on 2001. I think it's quite amusing.
It's not like changing one word with my lyrics is going to make them more intelligible or relatable. I was always very misunderstood and taken as very pretentious and serious all the time. I would think, "Do you not see there's a lot of tongue-in-cheek and humor here?"
Not necessarily, a lot of my songs are firmly tongue in cheek.
I did an Off-Broadway show that was a comedy written by Ann Meara. We were like a family, and we did that show for a year. On Oz, I did feel like the cast members were friends and there was a lot of bonding. That said, there was a lot of testosterone. Once again, it was full of really intense theater actors with this writing that was really intricate and subtle.
I'm tongue in cheek, but very much to the point.
Rome has New York's formlessness, aimlessness, a kind of hard-boiled sophistication, blase about everything. In their filmmaking, too, the Italians have this tongue-in-cheek sense of comedy.
Katey Sagal, you are an incredible actress. You worked on ‘Married with Children,’ the show that changed comedy, ‘Sons of Anarchy,’ the show that took comedy to a whole new level and ‘8 Simple Rules,’ the show that killed John Ritter.
I like comedy a lot, and dramatics show how I can really act. Because a lot of people can do comedy - I'm not saying it's easy, but dramatics are very hard.