A Quote by Lucy Liu

The wonderful thing about film is that you have something that has a beginning, middle, and end, and you have a concrete amount of time to shoot it. — © Lucy Liu
The wonderful thing about film is that you have something that has a beginning, middle, and end, and you have a concrete amount of time to shoot it.
You realize time isn't just a period that you tell a story within - it becomes a major character in the film. There is no beginning, middle, end because there is always stuff beginning and ending simultaneously.
A film has a beginning, middle, and an end. There is a certain amount of time that you have to embody these people. You know the entire story arch. But on TV, you have to let your guard down. You don't know how long the show is going to last. There is this excitement that comes with developing a character long-term.
Man no longer lives in the beginning--he has lost the beginning. Now he finds he is in the middle, knowing neither the end nor the beginning, and yet knowing that he is in the middle, coming from the beginning and going towards the end. He sees that his life is determined by these two facets, of which he knows only that he does not know them
I think sketch writing is a good spot for everyone to start because it requires you to develop characters, have a beginning, middle and end and have a bunch of jokes in a short amount of time.
It makes it very easy. I have a beginning, middle, and end, and I don't film for long - about 20 hours usually for a two-hour film - so it's easily watchable in a week for me and the editor. Once I know who the characters are, I only film those characters, unless somebody else forces their way into the film by a scene happening to them or we meet them by chance.
I see a film as a puzzle, with a beginning, middle, and end, but I like to start at the end sometimes.
Another thing that freaks me out is time. Time is like a book. You have a beginning, a middle and an end. It's just a cycle.
Marriage. The beginning and the end are wonderful. But the middle part is hell.
With a film, you know the beginning, middle and end of your character's arc. But on a TV show, you have no idea where they're going to end up.
I think my dream would be to move into film, purely because there's a definite beginning, middle and end to a project. I struggle a bit with such a big series that's going all the time.
Also the wonderful thing about film, you can see light at the end of the tunnel. You did realise that it is going to come to an end at some stage.
Also the wonderful thing about film, you can see light at the end of the tunnel. You did realize that it is going to come to an end at some stage.
The great thing about a trilogy is that it feels like you've got a beginning, a middle, and an end.
On a film, you work with somebody for four months and it's wonderful, but commercials it's like catching up with someone for a beer except you happen to shoot something at the same time.
I like to shoot scenes where I can see the beginning, middle and end of the entire scene. But, when you edit a movie together, you can just cut right into the middle. You don't need to see them walk into the room and put their jacket on the chair. There's always a lot of shoe leather that you can remove.
It's strange, 'cause a play, you start at the beginning and you go all the way through to the end. So it's naturally very well rehearsed and you get a rhythm and a flow. In film, you can shoot the ending before the beginning. It's very odd. And it's like a craft you have to learn.
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