A Quote by Lucy Liu

People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat
People use location as a language in films, and Quentin uses action as a language in his films. There's really not a lot of violence. It's more of an emotional beat than it is a physical beat.
There is a narrow class of uses of language where you intend to communicate. Communication refers to an effort to get people to understand what one means. And that, certainly, is one use of language and a social use of it. But I don't think it is the only social use of language. Nor are social uses the only uses of language.
In the United States there's not a lot of people interested in foreign language films. Every time, it's more difficult for foreign language films to survive here.
I don't enjoy watching action films, but I loved films like 'Rust and Bone' and 'The Beat That My Heart Skipped.'
I know, a lot of the films I've done, it's obvious I'm going to beat up six guys and just walk out the door. There's not a lot of motivating factors - it's just action for the sake of action.
I'm more alarmed by people reacting violently to the violence in my films than I am by the violence in films.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
Religion is much more than language, but to be Christian does mean speaking Christian for most people. The language many of us use has contributed to the crisis in Christianity in North America. Traditional Christian language is becoming less familiar to millions of people. The language is frequently misunderstood by people.
I had begun my career with emotional films - Rajasthani film 'Bai Chali Sasariye.' Later I did several films as a heroine, and made the audience cry a lot. I even did action films, where I would play a dacoit or a police officer.
If someone makes an inroad into a new territory, a new market, people will follow their success. That way, I think we will be getting more pan-India films and not restricted to a region or a language. More and more films will come out on a bigger budget, on a larger-than-life scale.
I have never intended in any of my films to sell violence or to glorify it. Even in the most intense action sequences in my films, there is a message about how evil violence is.
I'm pretty optimistic that in the future these kind of films will also be part of the main categories, perhaps not in a foreign language, but certainly more socially and politically engaged films, or films that will happen where the story takes place outside the United States.
Though, technically, I'm shooting on location, my films are actually based inside a woman's heart. I think women are more emotional than men, and that's a thread I've explored in all my films. When I see TV these days, I'm shocked at how all the main women characters are portrayed as evil. Women are the foundation of everything, and they deserve to be treated that way on camera.
Poetry seems to be the only weapon able to beat language, using language's own means.
I enjoy making films. I have made all kinds of films, including action films, romantic films, period films like 'Kala Pani.'
I love doing films, action films, anything I can get into that is produced at a high level, really use my skills.
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