A Quote by Lucy Maud Montgomery

I know I chatter on far too much... but if you only knew how many things I want to say and don't. Give me SOME credit. — © Lucy Maud Montgomery
I know I chatter on far too much... but if you only knew how many things I want to say and don't. Give me SOME credit.
I say too much of what, he says too much of everything, too much stuff, too many places, too much information, too many people, too much of things for there to be too much of, there is too much to know and I don't know where to begin but I want to try.
many things I knew, I have forgotten; many things I thought I knew, I find I know nothing about; some things I know, I have found not worth knowing; and some things I would give - O what would one not give to know? are beyond the reach of human ken.
I love pushing my boundaries and seeing how far I can go without, you know, dying or injuring myself too badly. On set I was like, 'Give me some stunts! Give me whatever you want. Throw it at me. I want to do it all.'
But Jude,' she would say, 'you knew me. All those days and years, Jude, you knew me. My ways and my hands and how my stomach folded and how we tried to get Mickey to nurse and how about that time when the landlord said...but you said...and I cried, Jude. You knew me and had listened to the things I said in the night, and heard me in the bathroom and laughed at my raggedy girdle and I laughed too because I knew you too, Jude. So how could you leave me when you knew me?
But if you only knew how many things I want to say and don't.
Some may say that such a girl is not ready for a relationship with a man, especially a man in his late sixties. But to that I say: We don't know anything. We don't know how to cure a cold or what dogs are thinking. We do terrible things, we make wars, we kill people out of greed. So who are we to say how to love. I wouldn't force her. I wouldn't have to. She would want me. We would be in love. What do you know. You don't know anything. Call me when you've cured AIDS, give me a ring then and I'll listen.
It's like he has emotional amnesia... I think you have to accept that the person you knew isn't there at the moment. I was witness to how much he loved you. I have the photos. This isn't the person we knew. I don't recognize this person. He's shed his skin." Her heart is broken too. She has to say the thing that will give me back my life. She draws on every reserve. I see how much it hurts her and it hurts me too. I came from her joy and her pain, I lived in it and I live in it now.
I don't know how many millions I'll make, so I have to give some back to charity. God blesses me with the money, but only if I give some away.
Why is it he feels some line has been crossed, some boundary transgressed? How much is too much, how far is too far?
No, I don’t wish I knew Heaven was like the picture in my Great Divorce, because, if we knew that, we should know it was no better. The good things even of this world are far too good ever to be reached by imagination. Even the common orange, you know: no one could have imagined it before he tasted it. How much less Heaven.
I always give credit to Scotty 2 Hotty. He is an amazing teacher. I was in his class for, I want to say three months and I learned so much and he helped me grow, not only as a performer, but as a person. He was always there for me.
I know that some people shy away from what I say. They think it is too blunt, but when you don't give people that, they feel like you are being fake and you're not telling the truth. So it's like, you want me to tell the truth, but when I do, it's too much for you.
I always give Lindsay so much credit for her tennis game, for her attitude, for her person, and because of how she deals with all the things. I don't think people give her enough credit for how well she's doing.
It's so much in me to want to keep experimenting all the time. It's just inherent. Therefore I keep reaching for instruments I don't particularly know how to play, and then I become excited. That gives me energy to want to make new things, and it forces me to hear things in new ways, which then can only help to say things in a new way.
I search my brain for the truth. “I want it more than anything, just as long as you promise me one thing.” “And what’s that?” “That if at any time it gets to be too much for you, you’ll leave me—walk away and get out.” “That will never happen,” he guarantees me. “You need to give me some credit. You left me, ripped out my heart, and then came back acting like a robot, and you know what? We made it through. You and I, good or bad, belong together. We make each other whole.
This is many, many years ago. It was shortly after "Starman" I think. I don't know how close I was to getting the part. I met with [director] Penny Marshall and that's one that I knew would be a hit. It just felt hit-ish. But it's like you go to a store and you see a jacket and you go "I love that jacket" and you try it on and it's too big or too small for you and it's the only one they have. For some reason that part just didn't fit me.
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