A Quote by Lucy Maud Montgomery

Secrets are generally terrible. Beauty is not often hidden — only ugliness and deformity. — © Lucy Maud Montgomery
Secrets are generally terrible. Beauty is not often hidden — only ugliness and deformity.
Where there is much general deformity nature has often, perhaps generally, accorded some one bodily grace even in over-measure. So, no doubt, with the intellect and disposition, only it is frequently less apparent, and we give ourselves but little trouble to discover it.
She was a triumph over ugliness, so often more beguiling than real beauty, if only because it contains paradox.
The ugliness of the beauty is much horrible than the ugliness of the ugliness.
Ugliness is more inventive than beauty. Beauty always follows certain camps. I think it's more amusing - ugliness - than beauty.
The world didn’t like to look at the dark underside very often. But that didn’t change the ugliness; it only ensured that those who perpetuated the ugliness were left alone to kill and maim and rape.
Beauty in art is often nothing but ugliness subdued.
The more we study nature the grander does she appear. Science, by penetrating her secrets, often shows us the hidden and imposing forces exist where we only see inertia.
As a painter, cursed or blessed with a terrible and vital sensuousness, I must look for wisdom with my eyes. I repeat, with my eyes, for nothing could be more ridiculous or irrelevant than a 'philosophical conception painted purely intellectually without the terrible fury of the senses grasping each visible form of beauty and ugliness.
Since hearing beauty in something is essentially a positive response and hearing ugliness is negative, might it ultimately be more difficult for an open-minded listener to define ugliness than it is to define beauty?
I prefer ugliness to beauty, because ugliness endures.
True love survives all shocks: an affection originally produced by admiration for unusual beauty may not only survive the loss of that beauty, but may become more intense if the beauty has changed into ugliness through causes that bind the lovers together in tender associations.
It is generally a feminine eye that first detects the moral deficiencies hidden under the 'dear deceit' of beauty.
The only ugliness is that of the heart, seen through the face. And though beauty be obvious, the only loveliness is invisible.
Beauty is only skin deep; ugliness goes all the way through.
I would warn you that I do not attribute to nature either beauty or deformity, order or confusion. Only in relation to our imagination can things be called beautiful or ugly, well-ordered or confused.
We are often jealous of our little secrets, though to another ear they generally convey neither profit nor entertainment.
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