A Quote by Lucy Maud Montgomery
What care I if it be "wild and improbable" and "lacking in literary art"? I refuse to be any longer hampered by such canons of criticism. The one essential thing I demand of a book is that it should interest me. If it does, I forgive it every other fault.
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For the canons of good society are, or should be, the same as the canons of art. Form is absolutely essential to it.
In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning.
The central attitudes driving the Demand Man are:
It's your job to do things for me, including taking care of my responsibilities if I drop the ball on them. If I'm unhappy about
any aspect of my life, whether it has to do with our relationship or not, it's your fault.
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I am above criticism.
I am a very loving and giving partner. You're lucky to have me.
First one gets works of art, then criticism of them, then criticism of the criticism, and, finally, a book on The Literary Situation , a book which tells you all about writers, critics, publishing, paperbacked books, the tendencies of the (literary) time, what sells and how much, what writers wear and drink and want, what their wives wear and drink and want, and so on.
If I like a movie, I'm definitely advocating for it, but it's not "you should see this" or "you shouldn't see this." I try to take a longer view about what the movie is doing and where it fits in the context of other things, in the way that certain good literary criticism tries to do the same thing.
Forgive us as we forgive- we are offered forgiveness on no other terms. To refuse it is to refuse Gods mercy for ourselves.
Every country should have a strong literary tradition of its own at the center, but it should also have an interest in other countries.
Criticism even should not be without its charms. When quite devoid of all amenities, it is no longer literary.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.
The visual and literary arts are of perennial interest to me, and these art forms have become more and more a part of my life; they have become companions of sorts. I cannot imagine my day to day experiences without the presence of these art forms. They're absolutely essential.
Certainly professionally, yes [I was interested more in history]. And literary criticism, the structure of poetry. But it is primarily as a historian that I work, although text criticism and literary criticism are very much a part of my interests.
What one thing does the world need most today-apart, that is, from the all-inclusive thing we call righteousness? Aren't you inclined to agree that what this old world needs is just the art of being kind? Every time I visit a factory or any other large business concern, I find myself trying to diagnose whether the atmosphere is one of kindliness or the reverse. And somehow, if there is palpably lacking that spirit of kindness, the owners ... have fallen short of achieving 24-carat success no matter how imposing the financial balance sheet may be.
If I care to listen to every criticism, let alone act on them, then this shop may as well be closed for all other businesses. I have learned to do my best, and if the end result is good then I do not care for any criticism, but if the end result is not good, then even the praise of ten angels would not make the difference.
Judo should be free as art and science from any external influences, political, national, racial, and financial or any other organized interest. And all things connected with it should be directed to its ultimate object, the benefit of Humanity.
The difference between justice and forgiveness: To be just is to condemn the fault and, because of the fault, to condemn the doer as well. To forgive is to condemn the fault but to spare the doer. That's what the forgiving God does.
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