A Quote by Lucy Maud Montgomery
Jane's stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them.
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If a hamster has too many babies she knows she cannot carry, she not only abandons them, but she eats them. That means she doesn't have to go out and hunt for food for herself.
Even as she'd been writing it, she wondered if she was using too many exclamation marks, but she was glad she left them in. Nothing says "all is good in the world" like exclamation marks, after all.
She always did like tales of adventure-stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side by the way.
The professional is acutely aware of the intangibles that go into inspiration. Out of respect for them, she lets them work. She grants them their sphere while she concentrates on hers.
Sometimes, the other characters are too normal and then you start to be brought back to reality but then Luna shows up and she is just so funny and cool and honest and slightly mad and she's all that matters. She is 100% true. She puts on no shows, because she is so comfortable with herself.
I think [“Shake It Off”] is awesome! It sticks in your head. I heard it one time and I was, like, singing it all day long! Of course she's gonna go and do a pop record if she wants to. She's an amazing writer so if she comes back tomorrow and says 'I'm gonna make a country record now', we'll listen to that and buy it too! I mean, it doesn't matter. I'm just proud of her for doing whatever art she wants to do; it's gonna be successful it's Taylor Swift! I have a lot of her material on my iPod and I bought the new single. I'm a supporter of hers.
My ten-year-old daughter loves gifts. She loves to give them and she loves to get them. She loves to give them when she's hurt her parents' feelings, and she loves to get them when her parents have hurt hers.
My daughter [Ariana], she's a sweet, lovely girl, but she doesn't have the drive or the belief in herself. As it says in the film, I get touched up thinking about it, no one can give you a career. You have to have that inner drive. She wants it, but she doesn't know how to go for it, she's too shy. To see her perform and come on stage and feel comfortable, you know, she has talent - that was very touching, very moving, for me. She has a really beautiful sound and voice. She's a young girl still, 26, and innocent. She was kind of sheltered.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
My mom is a hard worker. She puts her head down and she gets it done. And she finds a way to have fun. She always says, 'Happiness is your own responsibility.' That's probably what I quote from her and live by the most.
She was witchy, yes, and in charge of a cauldron roiling with ideas and stories, but she always gave the impression that the stories, the ones she wrote and wrote so very well and so wisely, had simply happened, and that all she had done was to hold the pen. (On Diana Wynne Jones)
When today's young woman says she isn't a feminist what she means is she isn't a lesbian and she doesn't hate men, she likes to wear make-up and she enjoys a laugh. In which she is no different from many an early feminist.
The thing I know about Diana Trout is that she's the hardest-working person. She even says it in season one - that nobody works harder than she does. I believe that's always been true about her. That is why she has high expectations of everyone around her.
You never know when you might come home and find Mam sitting by the fire chatting with a woman and a child, strangers. Always a woman and child. Mam finds them wandering the streets and if they ask, Could you spare a few pennies, miss? her heart breaks. She never has money so she invites them home for tea and a bit of fried bread and if it's a bad night she'll let them sleep by the fire on a pile of rags in the corner. The bread she gives them always means less for us and if we complain she says there are always people worse off and we can surely spare a little from what we have.
People paused to listen to Denise Chávez and she had them - with gum on her shoes, she had them. She said she stepped on gum when she came up to the stage and she couldn't move, so she had to stay in one spot otherwise people would see the Chiclet.
How will a person know, Selina, when the soul that has the affinity with hers is near it?" She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.
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