A Quote by Lucy Maud Montgomery

Make them do as you want them to," she said. "I can’t," mourned Anne. "Averil is such an unmanageable heroine. She will do and say things I never meant her to. Then that spoils everything that went before and I have to write it all over again.
She'd always known he loved her, it had been the one certainty above all others that had never changed, but she had never said the words aloud and she had never meant them quite this way before. She had said it to him, and she hardly knew what she had meant. They were terrifying words, words to encompass a world.
She liked his tears so much that she put out her beautiful finger and let them run over it. Her voice was so low that at first he could not make out what she said. Then he made it out. She was saying that she thought she could get well again if children believed in fairies.
She tried to think of what to say to make it all better again, or at least the way it was before she'd made her confession, though she didn't regret having confessed. Perhaps that was what had been wrong with her all along. Now that the lie wasn't between them anymore, maybe she could love him again.
Her life was beginning to make sense again, although she couldn’t say she was enjoying it. But her mind was clear, and her heart was not constantly as heavy. Only when she thought about him. But she knew that in time, she’d survive it. She had done it before and would again. Eventually the heart repairs.
Living to an extraordinary age, she mourned them all equally as she buried her husband and, one by one, her children. In this suffering she found the best sort of perfection--the kind that never demands it of others.
In the midst of her tears came the thought, "When people are in danger, they ask God to save them;" and, slipping down upon her knees, she said her prayer as she had never said it before, for when human help seems gone we turn to Him as naturally as lost children cry to their father, and feel sure that he will hear and answer them.
One day I'll give birth to a tiny baby girl and when she's born she'll scream and I'll tell her to never stop I will kiss her before I lay her down at night and will tell her a story so she knows how it is and how it must be for her to survive I'll tell her to set things on fire and keep them burning I'll teach her that fire will not consume her that she must use it
She closed her eyes and jumped. For a moment she felt herself hang suspended, free of everything. Then gravity took over, and she plunged toward the floor. Instinctively she pulled her arms and legs in, keeping her eyes squeezed shut. The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. 'Nice', he said. 'As graceful as a falling snowflake.
Don’t look so upset,” Hyacinth said, once it was just the two of them again. “You’re quite a catch.” He looked at her assessingly. “Is one meant to say such things quite so directly?” She shrugged. “Not to men one is trying to impress.” “Touché, Miss Bridgerton.” She sighed happily. “My three favorite words.” Of that, he had no doubt.
Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
I want you to say dreadfully mad, funny things and make up songs and be--' The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall hit you with my umbrella." *** "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. “There,” she said. “There is Will. Isn’t that better? Don’t you think so?” “I don’t know,” Will said, eyeing her. “I’m afraid to answer that. I’ve heard that when I speak, it makes American women wish to strike me with umbrellas.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
She danced because she needed to. She needed to say things which could be said in no other way, and she needed to take her meaning and her living from the saying of them.
She, too, spoke only when the queen or king addressed her first, but she looked searchingly at every supplicant, and her clear face said that she had opinions about everything she heard, and that it was her proud duty to think out those opinions, and make them responsible and coherent.
Vin snorted, kneeling in the low tent as she pulled her belt tight; then she crawled over to him. "I don't know how you read while riding," she said. "Oh, it's quite easy - if you aren't afraid of horses." "I'm not afraid of them," Vin said. "They just don't like me. They know I can outrun them, and that makes them surly.
I love women, but I feel like you can't trust some of them. Some of them are liars, you know? Like I was in the park and I met this girl, she was cute and she had a dog. And I went up to her, we started talking. She told me her dog's name. Then I said, 'Does he bite?' She said, 'No.' And I said, 'Oh yeah? Then how does he eat?' Liar.
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