A Quote by Lucy Worsley

My parents weren't keen on me watching television when I was growing up, in the 70s and 80s, which is ironic given that I've ended up working in it. — © Lucy Worsley
My parents weren't keen on me watching television when I was growing up, in the 70s and 80s, which is ironic given that I've ended up working in it.
I've always been really interested in fashion, culture and visual arts in general: when I was growing up my parents half-expected me to go to art school, but I ended up working in Parliament, and then working in tech and data.
For me, it was watching the New York Giants growing up, with Bill Parcells and Lawrence Taylor and that whole crew coming up through the '80s. And then, as I moved on to college, I thought I'd want to coach for sure.
When you grow up, some areas of the world are out of your knowledge - especially when I grew up, in the '70s and '80s. Now, you have access to everything, but back then you did not because of the way the media was, and society imposed more directions, structures, and restrictions. It's not like art was prohibited, but art was not something that the people around me presented. So I developed it very much on my own growing up.
Happy Days was about a family... although the show was shot in the 70s, it was about a family in the 50s. I realized that kids were watching their parents grow up and the parents were watching themselves grow up. That was the key to the success of our show.
We didn't have much money growing up, so we hopped around L.A. a lot in the '70s, '80s and '90s. I'm very familiar with the shifting culture there.
When I was growing up in L.A. in the late '70s and early '80s, Michael Jackson's was the first face on TV that looked like mine.
When I was growing up in the '70s and '80s, by the time you were 16, you were kind of expected to be an adult. By the time we were 16 and able to drive, certainly by 17 or 18 and into college, you just had very little interaction with your parents.
When I was growing up in South Korea in the '70s and early '80s, the country was too poor to buy original records. Everything was bootlegged.
Bonobo studies started in the '70s and came to fruition in the '80s. Then in the '90s, all of a sudden, boom, they ended because of the warfare in the Congo. It was really bad for the bonobo and ironic that people with their warfare were preventing us from studying the hippies of the primate world.
It was ironic that there I was finally painting the pictures I'd always wanted to paint and feeling very much at home in the countryside, and I ended up working in New York City, which is definitely the archetypal city.
I grew up with television. I love television and to be working in it is awesome. I think where I do well at television is because I grew up watching the great sitcom actors Jackie Gleason, I love Rob Reiner, also John Ritter.
The '70s just seemed dirty, honestly, and not in an interesting way. It's not the '80s. In fact, it's 10 less. I grew up in the '80s, so that's more of an interesting time to me.
Growing up in the '70s and '80s, science fiction and especially fantasy had such a stigma attached to them. I felt so punished and exiled for being devoted to these things.
I was into fantasy more than horror. I was growing up in the mid-'70s through the '80s, and I also got a healthy dose of that classic era of film.
Growing up in the 70s and 80s, it took effort to be a nerd. You had to seek out the nerd stuff.
When I was a kid growing up in the States in the late '70s and early '80s, as soon as 'Dallas' came on on a Friday night on CBS at 9 P.M., we stopped everything from that moment on as a family.
This site uses cookies to ensure you get the best experience. More info...
Got it!