A Quote by Lucy Worsley
Jane, Henry VIII's third wife, wasn't present at her son's christening, as ritual dictated she had to spend another month in bed. From her chamber she could have looked down on the christening procession below, and must have felt great pride.
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And then she said nothing else, for Henry put his arms around her and kissed her. Kissed her in such a way that she no longer felt plain, or conscious of her hair or the ink spot on her dress or anything but Henry, whom she had always loved. Tears welled up and spilled down her cheeks, and when he drew away, he touched her wet face wonderingly. "Really," he said. "You love me, too, Lottie?
How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly.
She regretted nothing she had shared with her lover, nor was she ashamed of the fires that had changed her life; just the opposite, she felt that they had tempered her, made her strong, given her pride in making decisions and paying the consequences for them.
Once, when she was six years old, she had fallen from a tree, flat on her stomach. She could still recall that sickening interval before breath came back into her body. Now, as she looked at him, she felt the same way she had felt then, breathless, stunned, nauseated.
The constitution has put women in a position where no one will protect them from religious cliques. If a woman is the third or the fourth wife and she has no rights inside her home and, on top of that, there is domestic abuse in her house, she is doomed. Under Islamic Sharia law a woman must accept beatings from her husband. Under Islamic Sharia, she must not revolt because she is the third or fourth wife.
Perhaps I will die too, she told herself, and the thought did not seem so terrible to her. If she flung herself from the window, she could put an end to her suffering, and in the years to come the singers would write songs of her grief. Her body would lie on the stones below, broken and innocent, shaming all those who had betrayed her. Sansa went so far as to cross the bedchamber and throw open the shutters ... but then her courage left her, and she ran back to her bed, sobbing.
The Eucharist had so powerful an attraction for the Blessed Virgin that she could not live away from It. She lived in It and by It. She passed her days and her nights at the feet of her Divine Son... Her love for her hidden God shone in her countenance and communicated its ardor to all about her.
She tossed her towel on her dresser and turned to the bed where shed left her PJs. Only it wasn't just her PJs on the bed anymore. Lucas, eyes wide, sat on the foot of her bed, about four feet from where she stood completely naked. She squealed. He laughed. She dashed for the towel. Once she had it around her, she glared from a still grinning Lucas to the door. "I'm killing Della!" He laughed again. "I'm afraid I might have to protect her for this one.
He shrugged. "I was...thinking." "About what?" "The fires of purgatory." She had to sit down. He wasn't making any sense now. "What does that mean?" she asked. "Patrick told me he would walk through the fires of purgatory if he had to in order to please his wife." She went over to the bed and sat down on the side. "And?" she prodded when he didn't continue. He stripped out of his clothing and walked over to her. He pulled her to her feet and stared down to her. "And I have only just realized I would do the same for you.
It is an important distinction to note that she looked not only as if she had taken good care of herself, but that she had good reason to have done so. (...) She looked to be in such total possession of her life that only the most confident men could continue to look at her if she looked back at them. Even in bus stations, she was a woman who was stared at only until she looked back.
My mother is a great artist, but she always treated her paintings like minor postcards. Had she pursued it, she would have been a great artist. Instead, she looked down on her art.
Charlie had Sophie strapped to his chest like a terrorist baby bomb when he came down the back steps. She had just gotten to the point where she could hold up her head, so he had strapped her in face-out so she could look around. The way her arms and legs waved around as Charlie walked, she looked as if she was skydiving and using a skinny nerd as a parachute.
As she had been walking from the ward to that room, she had felt such pure hatred that now she had no more rancor left in her heart. She had finally allowed her negative feelings to surface, feelings that had been repressed for years in her soul. She had actually FELT them, and they were no longer necessary, they could leave.
She stared at herself in the mirror. Her eyes were dark, almost black, filled with pain. She'd let someone do that to her. She'd known all along she felt things too deeply. She became attached. She didn't want a lover who could walk away from her, because she could never do that - love someone completely and survive intact if her left her.
In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.
Though her emotions had not deviated from a jittery frailty she knew that in her own room she could at least attempt sleep and that if she dreamed she might then finally be with Henry.
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