A Quote by Ludacris
Welcome to Atlanta
Jack and hammers and vogues
Back to the mackin' and jackin' the clothes
Adolescents packin the fo'
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I remember the first day I got there, they started the take and after four takes I was on the ground, on my back, with a banana and a Twizzler in my hand, and my face was green, and they said, "You can't get back on set for another 30 minutes." That was a, "Welcome to Atlanta," and that put everything in perspective.
To me, the hope lies in adults forgetting about their retirement and turning toward the adolescents and helping pull the adolescents over that mysterious line drawn on the ground into adulthood. If we don't do that, the adolescents are going to stay exactly where they are for the next 30 or 40 years.
I grew up in the suburbs north of Atlanta. I had an amazing childhood, and I still go back to my home in Atlanta often.
I live in Atlanta because Ludacris lives in Atlanta. And because T.I. lives in Atlanta and because Lil Wayne comes to Atlanta to hang out all the time and because Rick Ross' engineers are in Atlanta.
Atlanta is not the South. Atlanta is not the South, gotdamn it, when you go to Atlanta what does your clock say? When you get off the plane from Los Angeles or Texas, what time do it be over there? Atlanta is East Coast time. You niggas ain't in the South.
Coaching in Major League Soccer and living in Atlanta has been a wonderful experience and a welcome new challenge.
I'm glad to always have that connection to a part of the country that doesn't really have anything to do with what I do. That said, there seems to be a lot of production drumming up in Atlanta these days. It would be kind of a dream come true to go back to Atlanta to work on a movie, but we'll see what happens.
It's funny how people want to sometimes think that Young and Beautiful film is about all adolescents, but it's just the case of one girl. It doesn't mean all the adolescents are like that, of course.
As a Middle Eastern male, I know there's certain things I'm not supposed to say on an airplane in the U.S., right? I'm not supposed to be walking down the aisle, and be like, 'Hi, Jack.' That's not cool. Even if I'm there with my friend named Jack, I say, 'Greetings, Jack. Salutations, Jack.' Never 'Hi, Jack.'
Nay, but Jack, such eyes! such eyes! so innocently wild! so bashfully irresolute! Not a glance but speaks and kindles some thought of love! Then, Jack, her cheeks! her cheeks, Jack! so deeply blushing at the insinuations of her tell-tale eyes! Then, Jack, her lips! O, Jack, lips smiling at their own discretion! and, if not smiling, more sweetly pouting - more lovely in sullenness! Then, Jack, her neck! O, Jack, Jack!
There are vogues and fashions in jurisprudence as in literature and art and dress.
Right now Jack lives with me. Jack is my Jack Russell. I also have a Yorkie named Ginger, but Jack and Ginger can't be in the same place at the same time because she is very jealous. Even if Jack's not in the same state, she would growl if she heard his name.
Everywhere I go, I hear 'Welcome back.' But everywhere I have been, I have always been with myself. I'm with myself now more than ever. It's funny people say 'Welcome back' when I haven't gone anywhere.
Why do children want to grow up? Because they experience their lives as constrained by immaturity and perceive adulthood as a condition of greater freedom and opportunity. But what is there today, in America, that very poor and very rich adolescents want to do but cannot do? Not much: they can do drugs, have sex, make babies, and get money (from their parents, crime, or the State). For such adolescents, adulthood becomes synonymous with responsibility rather than liberty. Is it any surprise that they remain adolescents?
Jack be nimble, Jack be quick, Jack sat on a candle stick, cause fire is the devil's only friend.
What's 'Atlanta' about? Technically, it's about a couple guys who are friends, but to me, 'Atlanta' is about black lives. I'm getting a real look at what black life means in Atlanta.
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