A Quote by Ludivine Sagnier
Having a movie that lasts and makes your image imprinted into the history of cinema, it's very positive.
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I would have you imagine, then, that there exists in the mind of man a block of wax... and that we remember and know what is imprinted as long as the image lasts; but when the image is effaced, or cannot be taken, then we forget or do not know.
'Black cinema' I don't even know what that means. It's just cinema. When Paul Thomas Anderson makes a movie, we don't just say it's 'white cinema.'
They said 'if you have a 3D movie, we'll buy it' because they want it. For maybe two weeks I really thought of a silent, black and white 3D movie and I thought it could be great. I imagined it as a very special image, a very new image, but fortunately, I didn't have to do it.
It's hard for me to approach [a film] as a still image now that I know exactly what it takes to make a movie. I mean, I know what it takes to make a movie that lasts five minutes.
Anybody who comes to the cinema is bringing they're whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.
I think cinema is needed throughout Africa, because we are lagging behind in the knowledge of our own history. I think we need to create a culture that is our own. I think that images are very fascinating and very important to that end. But right now, cinema is only in the hands of film-makers because most of our leaders are afraid of cinema.
I love that feeling you get once you leave a cinema having just watched a movie during the day. Your eyes slowly adjust to the natural light, and your mind, being a little slower, takes its time to separate the images of film from the reality you are suddenly facing.
I definitely felt that I was put at a very high place to be able to be a part of such a wonderful franchise in cinema history, so I was definitely very driven at doing a great job and having my body look the way it should and just being a part of the creative process.
I didn't see that at all. I just saw everyone having a good time and everyone having fun [on set of Romeo + Juliet]. I didn't see anyone having any spats or disagreements. If they did, they hid it very well. But as far as I saw, it was a positive vibe. It was positive energy.
Watching a movie should be like hunting. Out of context, every image of the cinema is yours for a split second. Take them before they bury it.
When you bounce your eyes away from a sexual image, immediately pull from your memory a pure image. Maybe a wedding picture, or a vacation experience with your family, or your buddies. There are thousands of positive images you can pull from your memory within seconds to replace the sexual images you're tempted with.
It didn't even occur to me that I could use my strong image in cinema to propagate my political ideas. To me, cinema was cinema and politics was politics.
It was sometimes 60 degrees [Celsius], but it's very strange, cinema makes you forget reality most of the time. You are more concerned about your inner feelings, or your work.
People always ask me if I hate the nuns. Do I make my movies extra dirty to piss them off? I always say no, that's not the point. To a Catholic, a movie is only dirty if it makes you want to have sex more. If it makes you feel sick, disgusted, ashamed of your own body, then it's not a dirty movie at all. It's a Catholic movie. And I make very Catholic movies.
What I'm really trying to do is recreate classic Hollywood cinema and classic genre cinema from a woman's point of view. Because most cinema is really made for men, how can you create cinema that's for women without having it be relegated to a ghetto of "chick flick" or something like that?
If you want to get positive results you have to refuse to think negative thoughts by substituting them with constructive ones. When you develop a positive attitude toward life, your life will start having a positive result.
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